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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    808 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    324 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 19 matching records exist across the two collections.

Results for "A charioteer riding through a rocky land"11 records

Institutions answered newest-first by record, interleaved

Joys of the Fisherman by Wang Fu, The Metropolitan Museum of Art

Joys of the Fisherman

Wang Fu (d. 1416)

ca. 1410 · Handscroll; ink on paper

Cleared · Public Domain

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The MetSimilar
Jupiter tumbling from a horse-drawn carriage at right, Ganymede riding Jupiter's eagle upper center, below Venus and to her right, the three Graces by Master of the Die, The Metropolitan Museum of Art

Jupiter tumbling from a horse-drawn carriage at right, Ganymede riding Jupiter's eagle upper center, below Venus and to her right, the three Graces

Master of the Die (d. 1560)

1530–60 · Engraving

Cleared · Public Domain

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The MetSimilar
Plate 140: The Trojan Ships Changed into Nymphs (Berecynthia AEneae classem in Nymphas transformat), from Ovid's 'Metamorphoses' by Antonio Tempesta, The Metropolitan Museum of Art

Plate 140: The Trojan Ships Changed into Nymphs (Berecynthia AEneae classem in Nymphas transformat), from Ovid's 'Metamorphoses'

Antonio Tempesta (d. 1630)

1606 · Etching

Cleared · Public Domain

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The MetSimilar
A River Landscape with the Baptism of the Eunuch by Hendrick Hondius I, The Metropolitan Museum of Art

A River Landscape with the Baptism of the Eunuch

Hendrick Hondius I (d. 1650)

ca. 1605–25 · Pen and brown ink, brown and blue wash

Cleared · Public Domain

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The MetSimilar
A shore framed by rocks, with Neptune in his chariot on the left and Salacia in hers on the right; at center, a ship caught in a storm; set design from 'Il Pomo D'Oro' by Mathäus Küsel, The Metropolitan Museum of Art

A shore framed by rocks, with Neptune in his chariot on the left and Salacia in hers on the right; at center, a ship caught in a storm; set design from 'Il Pomo D'Oro'

Mathäus Küsel (d. 1682)

1668 · Etching

Cleared · Public Domain

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The MetSimilar
"Apotheosis of Voltaire" by Dubern, The Metropolitan Museum of Art

"Apotheosis of Voltaire"

Dubern

1785–90 · Linen

Cleared · Public Domain

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The MetSimilar
Sword guard (</>Tsuba</i>) Depicting Exiled Writer and Statesman Su Shi (蘇東坡図鐔) by an unrecorded maker, The Metropolitan Museum of Art

Sword guard (</>Tsuba</i>) Depicting Exiled Writer and Statesman Su Shi (蘇東坡図鐔)

Unrecorded maker

1750–1800 · Copper alloy (possibly sentoku), copper

Cleared · Public Domain

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The MetSimilar
The Triumph of Galatea by Philippe Trière, The Metropolitan Museum of Art

The Triumph of Galatea

Philippe Trière (d. 1815)

1815 · Engraving

Cleared · Public Domain

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The MetSimilar
Mount Emei by Yokoi Kinkoku, The Metropolitan Museum of Art

Mount Emei

Yokoi Kinkoku (d. 1832)

ca. 1830 · Hanging scroll; ink and color on silk

Cleared · Public Domain

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The MetSimilar
Cape Horn near Celilo by Carleton E. Watkins, The Metropolitan Museum of Art

Cape Horn near Celilo

Carleton E. Watkins (d. 1916)

1867 · Albumen silver print from glass negative

Cleared · Public Domain

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The MetSimilar
Sugar Loaf Islands, Farallons by Carleton E. Watkins, The Metropolitan Museum of Art

Sugar Loaf Islands, Farallons

Carleton E. Watkins (d. 1916)

1868–69 · Albumen silver print from glass negative

Cleared · Public Domain

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The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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