
Neckless jar with complex scene
Paracas artist(s)
350 BCE–60 CE · Ceramic, post-fire paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
249 ms. The Metropolitan Museum of Art, Collection API (Open Access)
308 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 634 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Neckless jar with complex scene
Paracas artist(s)
350 BCE–60 CE · Ceramic, post-fire paint
Cleared · Public Domain
live
Game Piece with a Scene from the Life of Apollonius of Tyre
Unrecorded maker
ca. 1170 · Walrus ivory
Cleared · Public Domain
live
Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple
Bartholomeus Spranger (d. 1611)
ca. 1590 · Pen and brown ink, brush and brown wash, heightened with white, over red chalk on blue paper. Partially visible framing lines in pen and brown ink on left and bottom edges
Cleared · Public Domain
live
Diana and her Nymphs
Laurent de La Hyre (d. 1656)
before 1662 · Wool, silk, silver-gilt thread (22-23 warps per inch, 8-9 per cm.)
Cleared · Public Domain
live
Title page with a large wall of a classical ruin, with a figure seated at right pointing to the dedication, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal) (d. 1768)
1735–46 · Etching; second state of two
Cleared · Public Domain
live
A Shepherd under a Ruined Arch with the Farnese Hercules
Johannes Antiquus (d. 1750)
1726–50 · Black chalk, pen and gray and some brown ink, with gray wash; framing lines in black ink
Cleared · Public Domain
live
A Woman at a Fountain by a Ruined Temple, the Farnese Hercules in the Background
Johannes Antiquus (d. 1750)
1726–50 · Black chalk, pen and gray ink, with gray wash; framing line in black ink
Cleared · Public Domain
live
Plaque with classical landscape
Unrecorded maker
ca. 1755 · Enamel on copper
Cleared · Public Domain
live
Plaque with classical landscape
Unrecorded maker
ca. 1755 · Enamel on copper
Cleared · Public Domain
live
Classical Subject of Fighting
John Hamilton Mortimer (d. 1779)
1760–79 · Pen and black and brown ink, traces of black chalk
Cleared · Public Domain
live
A coastal scene with a classical ruin at right
George Hawkins, the elder (d. 1820)
1811 · Etching and aquatint in dark blue
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 17: Detail of a wall from the Farnese gallery; two classical statues, a nude male at left and Apollo with his lyre at right; above, a bust of a man (Seneca?) at left, and a painting of Diana discovering the pregnancy of Callisto at right, from "Galeriae Farnesianae Icones"
Pietro Aquila (d. 1700)
ca. 1674 · Etching and engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.