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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    379 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    395 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 219 matching records exist across the two collections.

Results for "A frieze arrangement depcting the Triump"12 records

Institutions answered newest-first by record, interleaved

The Burg Weiler Altar Triptych (Altarpiece with the Virgin and Child and Saints) by Master of the Burg Weiler Altarpiece, The Metropolitan Museum of Art

The Burg Weiler Altar Triptych (Altarpiece with the Virgin and Child and Saints)

Master of the Burg Weiler Altarpiece (d. 1475)

ca. 1470 · Oil on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
A frieze arrangement depcting the Triumph of Love; Cupid in a Chariot led by goats, many other putti filling the composition by Master of the Die, The Metropolitan Museum of Art

A frieze arrangement depcting the Triumph of Love; Cupid in a Chariot led by goats, many other putti filling the composition

Master of the Die (d. 1560)

1530–60 · Engraving

Cleared · Public Domain

live
The MetSimilar
A frieze arrangement with a putto weating a laurel crown riding a goat at left and many infants playing musical instruments in front by Master of the Die, The Metropolitan Museum of Art

A frieze arrangement with a putto weating a laurel crown riding a goat at left and many infants playing musical instruments in front

Master of the Die (d. 1560)

1530–60 · Engraving

Cleared · Public Domain

live
The MetSimilar
Della Valle Frieze, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Della Valle Frieze, from "Speculum Romanae Magnificentiae"

Anonymous

1561 · Engraving

Cleared · Public Domain

live
The MetSimilar
Relief by an unrecorded maker, The Metropolitan Museum of Art

Relief

Unrecorded maker

16th century (?) · Stone

Cleared · Public Domain

live
The MetSimilar
Landscape with Apollo and the Muses by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

Landscape with Apollo and the Muses

Claude Lorrain (Claude Gellée) (d. 1682)

1674 · Pen and brown ink, brush and brown and gray wash and white gouache, over traces of graphite, on blue-green paper

Cleared · Public Domain

live
The MetSimilar
Oedipus at Colonus, Cursing his Son Polynices by Henry Fuseli, The Metropolitan Museum of Art

Oedipus at Colonus, Cursing his Son Polynices

Henry Fuseli (d. 1825)

1777 · Pen and brown ink, brush and gray wash, traces of black chalk underdrawing

Cleared · Public Domain

live
The MetSimilar
Trees and Houses Near the Jas de Bouffan by Paul Cézanne, The Metropolitan Museum of Art

Trees and Houses Near the Jas de Bouffan

Paul Cézanne (d. 1906)

1885–86 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The Dream of the Shepherd (Der Traum des Hirten) by Ferdinand Hodler, The Metropolitan Museum of Art

The Dream of the Shepherd (Der Traum des Hirten)

Ferdinand Hodler (d. 1918)

1896 · Oil on canvas

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Frieze with Ornamental Bracket Holding a Vase with Floral Arrangement

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dance: After the Paris version of the Barnes Mural

Henri Matisse (d. 1954)

1935 · Etching and color aquatint on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Buffalo Dance

Tonita Peña (also known as Quah Ah) (d. 1949)

ca. 1940 · Gouache, watercolor, pen and pencil on paper

In copyright

live
The MetSimilar

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