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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1323 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    341 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 63 matching records exist across the two collections.

Results for "A man breaking up a fight; page 82 from"12 records

Institutions answered newest-first by record, interleaved

Plate 9: A youth playing the recorder while a man to the left holds up a music book, from "Icones ad vivum expressae" by Giovanni Cattini, The Metropolitan Museum of Art

Plate 9: A youth playing the recorder while a man to the left holds up a music book, from "Icones ad vivum expressae"

Giovanni Cattini (d. 1800)

1743 · Etching

Cleared · Public Domain

live
The MetSimilar
A Barber's Shop by Thomas Rowlandson, The Metropolitan Museum of Art

A Barber's Shop

Thomas Rowlandson (d. 1827)

1811 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
He Wakes Up Kicking; a man on the floor kicking his legs after waking from a nightmare; page 13 from the "Witches and Old Women" Album (D) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

He Wakes Up Kicking; a man on the floor kicking his legs after waking from a nightmare; page 13 from the "Witches and Old Women" Album (D)

Goya (Francisco de Goya y Lucientes) (d. 1828)

ca. 1819–23 · Brush, carbon black and gray ink and wash, touches of black chalk, scraper

Cleared · Public Domain

live
The MetSimilar
A man breaking up a fight; page 82 from the "Images of Spain" Album (F) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

A man breaking up a fight; page 82 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (d. 1828)

ca. 1812–20 · Brush, brown ink washes, touches of black chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 82: Fishing with nets, from "A New Book of Chinese Designs"

Matthias Darly (d. 1780)

1754 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Breaking up of the "Agamemnon," No. I

Sir Francis Seymour Haden (d. 1910)

1870 · Etching and drypoint (counterproof); trial proof a (Harrington); second state of eleven (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Visions of a City Tree, from "Picture Poesies"

John William North (d. 1924)

first published 1867, reissued 1874 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Twas a Calm Still Night"

Currier & Ives (d. 1907)

1875 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Sure Thing: "It's Picking Up Money Backing Dis Yere Pup."

Currier & Ives (d. 1907)

1884 · Lithograph printed in color, with touches of watercolor and gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Page, Volume 1

Edward Gordon Craig (d. 1966)

1898 · Illustrations: woodcuts, some hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Frank Keenan, bakery card from the Movie Stars series (D55), issued by the Morehouse Baking Company

Morehouse Baking Company

early 20th century · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raymond McKee, bakery card from the Movie Stars series (D55), issued by the Morehouse Baking Company

Morehouse Baking Company

early 20th century · Commercial color lithograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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