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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    667 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    318 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 7,947 matching records exist across the two collections.

Results for "A man leans toward a woman standing in a"11 records

Institutions answered newest-first by record, interleaved

A Man Armed with a Saber Gestures Toward a Fleeing Woman by Léon Davent, The Metropolitan Museum of Art

A Man Armed with a Saber Gestures Toward a Fleeing Woman

Léon Davent (d. 1556)

1540–56 · Etching

Cleared · Public Domain

live
The MetSimilar
A Woman Standing by a Seated Man by Thomas Wijck, The Metropolitan Museum of Art

A Woman Standing by a Seated Man

Thomas Wijck (d. 1677)

1677 · Etching

Cleared · Public Domain

live
The MetSimilar
A standing man in a niche looking toward the left by Bartolomeo Crivellari, The Metropolitan Museum of Art

A standing man in a niche looking toward the left

Bartolomeo Crivellari (d. 1800)

1756 · Etching and engraving

Cleared · Public Domain

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The MetSimilar
A man in chains converses with a woman by William Hamilton, The Metropolitan Museum of Art

A man in chains converses with a woman

William Hamilton (d. 1801)

1770–80 · Pen and brown and gray ink, brush and gray and brown wash, over graphite

Cleared · Public Domain

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The MetSimilar
A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais by Jacques Philippe Joseph de Saint Quentin, The Metropolitan Museum of Art

A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais

Jacques Philippe Joseph de Saint Quentin

ca. 1784 · Etching with engraving

Cleared · Public Domain

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The MetSimilar
Man and woman standing near a tree by an unrecorded maker, The Metropolitan Museum of Art

Man and woman standing near a tree

Unrecorded maker

ca. 1830–40 · Pottery

Cleared · Public Domain

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The MetSimilar
Man standing in a doorway by Victor Adam, The Metropolitan Museum of Art

Man standing in a doorway

Victor Adam (d. 1866)

mid–19th century · Lithograph

Cleared · Public Domain

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The MetSimilar
Woman Standing in a Doorway by Constantin Guys, The Metropolitan Museum of Art

Woman Standing in a Doorway

Constantin Guys (d. 1892)

19th century · Pen and brown ink, brown and black wash, over traces of graphite

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Standing Man

Anonymous, French (d. 2050)

second half of 18th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Standing Woman

Anonymous, French (d. 2050)

second half of 18th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Mexican street scene, a seated woman and a standing man

Miguel Covarrubias (d. 1957)

ca. 1930–50 · Lithograph

In copyright

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The MetSimilar

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