
Monkey and Man Playing Instruments
Unrecorded maker
ca. 1080–664 BCE · Faience
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2639 ms. The Metropolitan Museum of Art, Collection API (Open Access)
309 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 174 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Monkey and Man Playing Instruments
Unrecorded maker
ca. 1080–664 BCE · Faience
Cleared · Public Domain
live
A young man, seated and playing the violin at centre, flanked by two woman holding flutes, another woman in the background
Marcantonio Raimondi (d. 1534)
ca. 1510–27 · Engraving
Cleared · Public Domain
live
A young man, seated and playing the violin at centre, flanked by two woman holding flutes, another woman in the background
Marcantonio Raimondi (d. 1534)
ca. 1512–27 · Engraving
Cleared · Public Domain
live
Scene with Galants at a Banquet in a Circle at Center
Theodor de Bry (d. 1598)
1580–1600 · Engraving and blackwork
Cleared · Public Domain
live
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 75 (recto)
Cesare Vecellio (d. 1601)
1601 · Woodcut
Cleared · Public Domain
live
A man playing the violin in center, turned towards the left in profile, a seated woman to left playing with her dancing child, another woman standing and pointing behind a tree to left, seated women in a landscape to right in the background, from "Various figures and lands" (Diverse figure e paesi)
Stefano della Bella (d. 1664)
1649 · Etching
Cleared · Public Domain
live
Callot figures; a dwarf man playing the drum at left, a beefeater in center, a flute player to right, from "Six grotesques" (Six pièces de figures grotesques)
Agostino Mitelli II (d. 1696)
1684 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Italian Family
Samuel Alken (d. 1815)
December 1785 · Hand-colored etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A French Family
Samuel Alken (d. 1815)
November 5, 1792 · Hand-colored etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Turn of the Tune, Traveller Playing the "Arkansas Traveller"
John Cameron (d. 1896)
1870 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Violin and Engraving
Juan Gris (d. 1927)
1913 · Oil, sand, collage on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bearded Man Playing Guitar
Pablo Picasso (d. 1973)
Avignon, summer 1914 · Graphite, watercolor, and gouache on paper, mounted to board
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.