
Statuette of a Nude Woman
Unrecorded maker
ca. 1550–1080 BCE · Limestone, black pigment
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
523 ms. The Metropolitan Museum of Art, Collection API (Open Access)
320 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,420 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Statuette of a Nude Woman
Unrecorded maker
ca. 1550–1080 BCE · Limestone, black pigment
Cleared · Public Domain
live
Terracotta statuette of a nude woman
Unrecorded maker
7th century BCE · Terracotta
Cleared · Public Domain
live
Terracotta statuette of a nude woman
Unrecorded maker
7th century BCE · Terracotta
Cleared · Public Domain
live
Figure of a reclining woman
Unrecorded maker
ca. 2nd century BCE–2nd century CE · Alabaster (gypsum)
Cleared · Public Domain
live
The poet, standing crowned with laurel, leaning on a stone
Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)
1620–21 · Etching
Cleared · Public Domain
live
A semi-nude woman seated, resting her head on a rock, from "Figurine"
Salvator Rosa (d. 1673)
ca. 1656–57 · Etching and drypoint
Cleared · Public Domain
live
Woman Prostrate Before a Nobleman; Nude Bather Seated on a Rock (Diana?) (from Sketchbook)
Thomas Sully (d. 1872)
1810–20 · Ink, wash, on paper
Cleared · Public Domain
live
Cat; Seated Woman Leaning on a Table or Ledge (from Sketchbook)
Francis William Edmonds (d. 1863)
ca. 1838 and after · Graphite on off-white wove paper
Cleared · Public Domain
live
Woman Leaning Right (from Sketchbook)
Francis William Edmonds (d. 1863)
ca. 1838 and after · Graphite on off-white wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A nude woman leaning on a stone, from the series of 'Figurine'
Salvator Rosa (d. 1673)
ca. 1656–1657 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman Leaning on a Plinth (reverse copy), from the series Figures a la Mode
Romeyn de Hooghe (d. 1708)
ca. 1700 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman Leaning on a Plinth, from the series Figures a la Mode
Romeyn de Hooghe (d. 1708)
ca. 1700 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.