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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    523 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    320 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,420 matching records exist across the two collections.

Results for "A nude woman leaning on a stone, from th"12 records

Institutions answered newest-first by record, interleaved

Statuette of a Nude Woman by an unrecorded maker, The Metropolitan Museum of Art

Statuette of a Nude Woman

Unrecorded maker

ca. 1550–1080 BCE · Limestone, black pigment

Cleared · Public Domain

live
The MetSimilar
Terracotta statuette of a nude woman by an unrecorded maker, The Metropolitan Museum of Art

Terracotta statuette of a nude woman

Unrecorded maker

7th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta statuette of a nude woman by an unrecorded maker, The Metropolitan Museum of Art

Terracotta statuette of a nude woman

Unrecorded maker

7th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Figure of a reclining woman by an unrecorded maker, The Metropolitan Museum of Art

Figure of a reclining woman

Unrecorded maker

ca. 2nd century BCE–2nd century CE · Alabaster (gypsum)

Cleared · Public Domain

live
The MetSimilar
The poet, standing crowned with laurel, leaning on a stone by Jusepe de Ribera (called Lo Spagnoletto), The Metropolitan Museum of Art

The poet, standing crowned with laurel, leaning on a stone

Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)

1620–21 · Etching

Cleared · Public Domain

live
The MetSimilar
A semi-nude woman seated, resting her head on a rock, from "Figurine" by Salvator Rosa, The Metropolitan Museum of Art

A semi-nude woman seated, resting her head on a rock, from "Figurine"

Salvator Rosa (d. 1673)

ca. 1656–57 · Etching and drypoint

Cleared · Public Domain

live
The MetSimilar
Woman Prostrate Before a Nobleman; Nude Bather Seated on a Rock (Diana?) (from Sketchbook) by Thomas Sully, The Metropolitan Museum of Art

Woman Prostrate Before a Nobleman; Nude Bather Seated on a Rock (Diana?) (from Sketchbook)

Thomas Sully (d. 1872)

1810–20 · Ink, wash, on paper

Cleared · Public Domain

live
The MetSimilar
Cat; Seated Woman Leaning on a Table or Ledge (from Sketchbook) by Francis William Edmonds, The Metropolitan Museum of Art

Cat; Seated Woman Leaning on a Table or Ledge (from Sketchbook)

Francis William Edmonds (d. 1863)

ca. 1838 and after · Graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Woman Leaning Right (from Sketchbook) by Francis William Edmonds, The Metropolitan Museum of Art

Woman Leaning Right (from Sketchbook)

Francis William Edmonds (d. 1863)

ca. 1838 and after · Graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A nude woman leaning on a stone, from the series of 'Figurine'

Salvator Rosa (d. 1673)

ca. 1656–1657 · Etching and drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman Leaning on a Plinth (reverse copy), from the series Figures a la Mode

Romeyn de Hooghe (d. 1708)

ca. 1700 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman Leaning on a Plinth, from the series Figures a la Mode

Romeyn de Hooghe (d. 1708)

ca. 1700 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.