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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1235 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    305 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 771 matching records exist across the two collections.

Results for "A poster and list of exhibits for an exh"11 records

Institutions answered newest-first by record, interleaved

Poster for The Yellow Book, Volume IV by Aubrey Vincent Beardsley, The Metropolitan Museum of Art

Poster for The Yellow Book, Volume IV

Aubrey Vincent Beardsley (d. 1898)

January 1895 · Lithograph and relief process

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Relief fragment showing a pile of offerings and part of an offering list

Unrecorded maker

ca. 2010–2000 B.C. or ca. 2000–1981 B.C. · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Offering List and Piled Offerings

Unrecorded maker

ca. 1961–1917 B.C. · Limestone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ostracon Inscribed with a List of Names

Unrecorded maker

ca. 1200–1080 BCE · Limestone, ink, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Large Boston Public Garden Sketchbook: Design for a bicycle poster

Maurice Brazil Prendergast (d. 1924)

1895–97 · Recto: watercolor over pencil, bordered in pencil and watercolor; verso: pencil

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poster for the First Darmstadt Artists’ Colony Exhibition, “A Document of German Art”

Peter Behrens (d. 1940)

1901 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for a Poster Advertising Caley's Chocolate

Alfred Munnings (d. 1959)

ca. 1896 · Watercolor, pen and ink, and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a poster of calendar for J. Löwy, Vienna

Erwin Puchinger (d. 1944)

ca. 1900 · Watercolor and gouache over graphite underdrawing, editorial notes in graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Poster or Advertisement for the Venetian Jeweler Pallotti

A. Melo

ca. 1900–1920 · Pen and ink, watercolor, silver and gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poster advertising a free night course to learn printmaking and bookbinding

Francisco Díaz de León (d. 1975)

1937–1939 · Offset lithograph, woodcut, backed with linen

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A poster and list of exhibits for an exhibition of Rufino's work at Knoedler and Co, New York

Rufino Tamayo (d. 1991)

1956 · Screen print and letterpress on bright pink tissue paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.