
Poster for The Yellow Book, Volume IV
Aubrey Vincent Beardsley (d. 1898)
January 1895 · Lithograph and relief process
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1235 ms. The Metropolitan Museum of Art, Collection API (Open Access)
305 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 771 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Poster for The Yellow Book, Volume IV
Aubrey Vincent Beardsley (d. 1898)
January 1895 · Lithograph and relief process
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Relief fragment showing a pile of offerings and part of an offering list
Unrecorded maker
ca. 2010–2000 B.C. or ca. 2000–1981 B.C. · Limestone, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Offering List and Piled Offerings
Unrecorded maker
ca. 1961–1917 B.C. · Limestone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ostracon Inscribed with a List of Names
Unrecorded maker
ca. 1200–1080 BCE · Limestone, ink, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Large Boston Public Garden Sketchbook: Design for a bicycle poster
Maurice Brazil Prendergast (d. 1924)
1895–97 · Recto: watercolor over pencil, bordered in pencil and watercolor; verso: pencil
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Poster for the First Darmstadt Artists’ Colony Exhibition, “A Document of German Art”
Peter Behrens (d. 1940)
1901 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for a Poster Advertising Caley's Chocolate
Alfred Munnings (d. 1959)
ca. 1896 · Watercolor, pen and ink, and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a poster of calendar for J. Löwy, Vienna
Erwin Puchinger (d. 1944)
ca. 1900 · Watercolor and gouache over graphite underdrawing, editorial notes in graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Poster or Advertisement for the Venetian Jeweler Pallotti
A. Melo
ca. 1900–1920 · Pen and ink, watercolor, silver and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Poster advertising a free night course to learn printmaking and bookbinding
Francisco Díaz de León (d. 1975)
1937–1939 · Offset lithograph, woodcut, backed with linen
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A poster and list of exhibits for an exhibition of Rufino's work at Knoedler and Co, New York
Rufino Tamayo (d. 1991)
1956 · Screen print and letterpress on bright pink tissue paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.