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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    238 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    492 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 72 matching records exist across the two collections.

Results for "A slave holds a camel by the bridle, fro"12 records

Institutions answered newest-first by record, interleaved

Marble grave stele of a young woman and servant by an unrecorded maker, The Metropolitan Museum of Art

Marble grave stele of a young woman and servant

Unrecorded maker

ca. 400–390 BCE · Marble, Pentelic

Cleared · Public Domain

live
The MetSimilar
Terracotta hydria (water jar) by Group of Naples 3227, The Metropolitan Museum of Art

Terracotta hydria (water jar)

Group of Naples 3227

ca. 350–320 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Boy on a shell, holding a candlestick by an unrecorded maker, The Metropolitan Museum of Art

Boy on a shell, holding a candlestick

Unrecorded maker

mid-15th century · Bronze, partially oil-gilt

Cleared · Public Domain

live
The MetSimilar
A slave holds a camel by the bridle, from 'Several heads in the Persian style' (Plusieurs têtes coiffées à la persienne) by Stefano della Bella, The Metropolitan Museum of Art

A slave holds a camel by the bridle, from 'Several heads in the Persian style' (Plusieurs têtes coiffées à la persienne)

Stefano della Bella (d. 1664)

1649 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
A slave holds a camel by the bridle, from "Several heads in the Persian style" (Plusieurs têtes coiffées à la persienne) by Stefano della Bella, The Metropolitan Museum of Art

A slave holds a camel by the bridle, from "Several heads in the Persian style" (Plusieurs têtes coiffées à la persienne)

Stefano della Bella (d. 1664)

1649 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Black slave carries a leopard pelt and holds the bridle of a horse, from "Several heads in the Persian style" (Plusieurs têtes coiffées à la persienne) by Stefano della Bella, The Metropolitan Museum of Art

Black slave carries a leopard pelt and holds the bridle of a horse, from "Several heads in the Persian style" (Plusieurs têtes coiffées à la persienne)

Stefano della Bella (d. 1664)

1649–50 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Allegory of Asia, from the Four Continents

Etienne Delaune (d. 1583)

1575 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Melitea siue Maltana mulier Vulgari; Maura Tripolitidis amictus communis; Maurus Algerianus; Algerianum mancipium

Abraham de Bruyn (d. 1587)

1580 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Sale of "Blooded Stock"

Currier & Ives (d. 1907)

1880 · Hand-colored lithograph, with touches of gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Darktown Hook and Ladder Corps: Going to the Front

King & Murphy (d. 1890)

1884 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Free World or Slave World from the portfolio Century of the Common Man

Hugo Gellert (d. 1985)

1943 · Screenprint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Passage to Egypt

Burhan Doğançay (d. 2013)

1990 · Mixed media - acrylic, opaque watercolor, collage, and fumage

In copyright

live
The MetSimilar

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2. Read the arithmetic

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