Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    433 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    370 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 144 matching records exist across the two collections.

Results for "A soldier taking aim, from the Marksmen"12 records

Institutions answered newest-first by record, interleaved

Painted limestone funerary slab with a soldier taking a kantharos from his attendant by an unrecorded maker, The Metropolitan Museum of Art

Painted limestone funerary slab with a soldier taking a kantharos from his attendant

Unrecorded maker

2nd half of 3rd century BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
A soldier holding his caliver, from the Marksmen series, plate 1, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms) by Jacques de Gheyn II, The Metropolitan Museum of Art

A soldier holding his caliver, from the Marksmen series, plate 1, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1608 · Engraving; third state of three (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
A soldier pouring powder into the pan, from the Marksmen series, plate 16, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms) by Jacques de Gheyn II, The Metropolitan Museum of Art

A soldier pouring powder into the pan, from the Marksmen series, plate 16, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1608 · Engraving; second state of two (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
A soldier taking aim, from the Marksmen series, plate 11, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms) by Jacques de Gheyn II, The Metropolitan Museum of Art

A soldier taking aim, from the Marksmen series, plate 11, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1608 · Engraving; second state of two (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
A soldier on guard freeing his right hand, from the Marksmen series, plate 37, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms) by Jacques de Gheyn II, The Metropolitan Museum of Art

A soldier on guard freeing his right hand, from the Marksmen series, plate 37, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1629 · Engraving; second state of two (New Hollstein)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A soldier blowing out sparks, from the Marksmen series, plate 15, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1608 · Engraving; second state of two (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A soldier bringing his musket into position to take aim, from the Musketeers series, plate 11, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1608 · Engraving; fourth state of four (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A soldier closing the pan, from the Marksmen series, plate 17, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1608 · Engraving; second state of two (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A soldier lifting the ramrod from his caliver, from the Marksmen series, plate 27, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1608 · Engraving; second state of two (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A soldier pulling the ramrod from its holder, from the Marksmen series, plate 24, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1608 · Engraving; second state of two (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A soldier shaking the powder from his caliver, from the Marksmen series, plate 18, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1608 · Engraving; second state of two (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A soldier taking aim, from the Marksmen series, plate 10, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1608 · Engraving; second state of two (New Hollstein)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.