
Painted limestone funerary slab with a soldier standing at ease
Unrecorded maker
2nd half of 3rd century BCE · Limestone, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1144 ms. The Metropolitan Museum of Art, Collection API (Open Access)
260 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 920 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Painted limestone funerary slab with a soldier standing at ease
Unrecorded maker
2nd half of 3rd century BCE · Limestone, paint
Cleared · Public Domain
live
A soldier on guard freeing his right hand, from the Marksmen series, plate 37, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms)
Jacques de Gheyn II (d. 1629)
1629 · Engraving; second state of two (New Hollstein)
Cleared · Public Domain
live
A soldier on horseback, holding a musket in his right hand, in profile descending a slope towards the right, other soldiers on horseback to right in the background, plate 12 from "Various Figures" (Agréable diversité de figures)
Stefano della Bella (d. 1664)
1642 · Engraving; state unknown (clipped impression)
Cleared · Public Domain
live
A soldier in profile galloping to the right holding a lance in his right hand, followed by another horseman behind, plate 20 from "Various figures and doodles" (Diverses figures et griffonnemens)
Stefano della Bella (d. 1664)
ca. 1646 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Young woman putting her hand in a dragon's mouth
Etienne Delaune (d. 1583)
before 1573 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A soldier again transferring his right hand to the lower part of the ramrod, from the Marksmen series, plate 28, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)
Jacques de Gheyn II (d. 1629)
1608 · Engraving; second state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A soldier dropping the fork and the musket while transferring his right hand higher up, from the Musketeers series, plate 22, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)
Jacques de Gheyn II (d. 1629)
1608 · Engraving; third state of four (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A soldier lifting his caliver with his left hand before transferring it to his right, from the Marksmen series, plate 30, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)
Jacques de Gheyn II (d. 1629)
1608 · Engraving; second state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A soldier transferring his right hand further along the ramrod, from the Musketeers series, plate 29, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)
Jacques de Gheyn II (d. 1629)
1608 · Engraving; third state of three (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A soldier transferring the caliver to his left shoulder with his right hand only, from the Marksmen series, plate 32, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)
Jacques de Gheyn II (d. 1629)
1608 · Engraving; second state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A soldier, transferring his musket to his right hand, lowers his fork, from the Musketeers series, plate 32, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)
Jacques de Gheyn II (d. 1629)
1608 · Engraving; third state of four (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A soldier holding a shield in his right hand, a pike on his shoulder, from "Figurine"
Salvator Rosa (d. 1673)
ca. 1656–57 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.