
The Visit to the Nursery
Gabriël Metsu (d. 1667)
1661 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
275 ms. The Metropolitan Museum of Art, Collection API (Open Access)
518 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,189 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Visit to the Nursery
Gabriël Metsu (d. 1667)
1661 · Oil on canvas
Cleared · Public Domain
live
A Friendly Visit
Thomas Rowlandson (d. 1827)
April 16, 1814 · Hand-colored etching and stipple
Cleared · Public Domain
live
A Friendly Visit
Thomas Rowlandson (d. 1827)
April 16, 1814 · Hand-colored etching and stipple
Cleared · Public Domain
live
Kiowa Chiefs on a Visit to the Agent
Julian Scott Ledger Artist B
ca. 1880 · Pencil, colored pencil, and ink on paper
Cleared · Public Domain
live![[Ivan Konstantinovich Aivazovsky (Hovhannes Aivazian)] by Babaev Studio, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP332588.jpg)
[Ivan Konstantinovich Aivazovsky (Hovhannes Aivazian)]
Babaev Studio
1893 · Albumen silver print from glass negative with inset oil painting
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Visit from St. Nicholas
Clement Clarke Moore (d. 1863)
1920 · Illustrations: color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Letter opener
Potter Studio (d. 1928)
ca. 1915 · Copper, moss agate
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jacob Lawrence
Budd Studio
1957 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Capitello" Chair
Studio 65
1971 · Polyurethane foam, latex rubber containing paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Model for Yancey Chapel, Hale County, Alabama
Rural Studio (d. 1993)
1996 · Wood, plywood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (Studio)
Kerry James Marshall (d. 9999)
2014 · Acrylic on PVC panels
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.