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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    436 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    352 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,039 matching records exist across the two collections.

Results for "A woman in profile pulling back on a rop"11 records

Institutions answered newest-first by record, interleaved

A woman standing in profile, facing right and writing on a tablet by Andrea Schiavone (Andrea Meldola), The Metropolitan Museum of Art

A woman standing in profile, facing right and writing on a tablet

Andrea Schiavone (Andrea Meldola) (d. 1563)

ca. 1538–40 · Etching

Cleared · Public Domain

live
The MetSimilar
A woman in profile pulling back on a rope tied around the horns of a young bull by Stefano della Bella, The Metropolitan Museum of Art

A woman in profile pulling back on a rope tied around the horns of a young bull

Stefano della Bella (d. 1664)

ca. 1660 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
A woman in profile pulling back on a rope tied around the horns of a young bull by Stefano della Bella, The Metropolitan Museum of Art

A woman in profile pulling back on a rope tied around the horns of a young bull

Stefano della Bella (d. 1664)

ca. 1660 · Etching; first state of two

Cleared · Public Domain

live
The MetSimilar
A woman in profile pulling back on a rope tied around the horns of a young bull by Stefano della Bella, The Metropolitan Museum of Art

A woman in profile pulling back on a rope tied around the horns of a young bull

Stefano della Bella (d. 1664)

ca. 1660 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Profile Portrait of a Woman by Augustin de Saint-Aubin, The Metropolitan Museum of Art

Profile Portrait of a Woman

Augustin de Saint-Aubin (d. 1807)

ca. 1780–82 · Graphite, red and black chalk, with touches of blue wash

Cleared · Public Domain

live
The MetSimilar
Peasant Woman Kneeling and Pulling Carrots by Vincent van Gogh, The Metropolitan Museum of Art

Peasant Woman Kneeling and Pulling Carrots

Vincent van Gogh (d. 1890)

1885 · Black chalk and brush and wash

Cleared · Public Domain

live
The MetSimilar
A "Marlborough Gem": Bust of a woman in profile, her back to the spectator by an unrecorded maker, The Metropolitan Museum of Art

A "Marlborough Gem": Bust of a woman in profile, her back to the spectator

Unrecorded maker

19th century · Onyx, glued to a dark brown sardonyx (?) ground, mounted in gold for display, with enamel, smaller cameos, and a pearl

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman in left profile

Wenceslaus Hollar (d. 1677)

1642 · Etching: only state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elderly woman in profile

Benigno Bossi (d. 1792)

1775 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elderly woman in profile

Benigno Bossi (d. 1792)

1775 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman in Profile

Pablo Picasso (d. 1973)

1901 · Oil on paperboard mounted on particle board

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.