
A woman standing in profile, facing right and writing on a tablet
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1538–40 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
436 ms. The Metropolitan Museum of Art, Collection API (Open Access)
352 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,039 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

A woman standing in profile, facing right and writing on a tablet
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1538–40 · Etching
Cleared · Public Domain
live
A woman in profile pulling back on a rope tied around the horns of a young bull
Stefano della Bella (d. 1664)
ca. 1660 · Etching; second state of two
Cleared · Public Domain
live
A woman in profile pulling back on a rope tied around the horns of a young bull
Stefano della Bella (d. 1664)
ca. 1660 · Etching; first state of two
Cleared · Public Domain
live
A woman in profile pulling back on a rope tied around the horns of a young bull
Stefano della Bella (d. 1664)
ca. 1660 · Etching; second state of two
Cleared · Public Domain
live
Profile Portrait of a Woman
Augustin de Saint-Aubin (d. 1807)
ca. 1780–82 · Graphite, red and black chalk, with touches of blue wash
Cleared · Public Domain
live
Peasant Woman Kneeling and Pulling Carrots
Vincent van Gogh (d. 1890)
1885 · Black chalk and brush and wash
Cleared · Public Domain
live
A "Marlborough Gem": Bust of a woman in profile, her back to the spectator
Unrecorded maker
19th century · Onyx, glued to a dark brown sardonyx (?) ground, mounted in gold for display, with enamel, smaller cameos, and a pearl
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman in left profile
Wenceslaus Hollar (d. 1677)
1642 · Etching: only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Elderly woman in profile
Benigno Bossi (d. 1792)
1775 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Elderly woman in profile
Benigno Bossi (d. 1792)
1775 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman in Profile
Pablo Picasso (d. 1973)
1901 · Oil on paperboard mounted on particle board
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.