
Summer (Aestas), from "The Seasons"
Pieter van der Heyden (d. 1569)
1570 · Engraving; first state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
391 ms. The Metropolitan Museum of Art, Collection API (Open Access)
522 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,439 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Summer (Aestas), from "The Seasons"
Pieter van der Heyden (d. 1569)
1570 · Engraving; first state of two
Cleared · Public Domain
live
Seasons and Elements (Summer) (set of four)
Charles Le Brun (d. 1690)
ca. 1683 · Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 per sq. cm.)
Cleared · Public Domain
live
"Summer, from a Series of the Four Seasons", Folio from the Davis Album
'Ali Quli Jabbadar (d. 1699)
ca. 1660–70 · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
Summer from a set of The Seasons of Lucas
Master of the Months of Lucas (d. 1535)
designed ca. 1535, woven late 17th century · Wool, silk (20-21 warps per inch, 8-9 per cm.)
Cleared · Public Domain
live
Summer (one of a set of four)
Edme Bouchardon (d. 1762)
probably mid-18th century · Marble
Cleared · Public Domain
live
Peonies, Rocks, and Grasses Representing Summer; from Set of Four Panels Representing the Four Seasons
Unrecorded maker
18th century · Silk, paint; on silk
Cleared · Public Domain
live
Summer
Unrecorded maker
1800–1810 · Wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Aestas (Summer), plate 2 from "The Seasons"
Hendrick Goltzius (d. 1617)
after 1589 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
AESTAS (Summer) from a set of the Four Seasons
David Vinckboons (d. 1629)
1618 · Engraving; Hollstein's first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Summer (Aestas), from the Four Seasons
Nicolaes de Bruyn (d. 1656)
n.d. · Engraving; second state of four.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Summer from The Four Seasons
Claude Flight (d. 1955)
ca. 1926 · Color Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Summer" from "The Four Seasons" (serial number 202)
John Monteleone (d. 9999)
2004 · Big-leaf maple, Tyrolean spruce, African red padauk, Macassar ebony, red coral stones, mother-of-pearl, ruby, diamond, gold plating, red nitro-cellulose lacquer finish
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.