Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1112 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    347 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 46 matching records exist across the two collections.

Results for "Abermarle Street from Battle of Britain"12 records

Institutions answered newest-first by record, interleaved

L'Entré triumphale des Troupes royales a Nouvelle Yorck – Der Einzug der Königlichen Volcker in Neu Yorck [The Triumphal Entry of Royal Troops into New York] by Anonymous, French, 18th century, The Metropolitan Museum of Art

L'Entré triumphale des Troupes royales a Nouvelle Yorck – Der Einzug der Königlichen Volcker in Neu Yorck [The Triumphal Entry of Royal Troops into New York]

Anonymous, French, 18th century (d. 1800)

1776–77 · Hand-colored etching and engraving

Cleared · Public Domain

live
The MetSimilar
Battle/ Monument./ Baltimore./ JACKSONS WARRANTED by Job & John Jackson, The Metropolitan Museum of Art

Battle/ Monument./ Baltimore./ JACKSONS WARRANTED

Job & John Jackson (d. 1835)

ca. 1831 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 4: Battle in Britain, from 'The History of Caesar'

Matthäus Merian the Elder (d. 1650)

1610–50 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Old Court House and Street Looking South

Thomas Daniell (d. 1840)

1788 · Hand-colored aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Battle of Waterloo [School piece or Penmanship sheet]

George Cruikshank (d. 1878)

ca. 1815 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Avenue of the Allies, Great Britain, 1918

Childe Hassam (d. 1935)

1918 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Abermarle Street from Battle of Britain portfolio

Joseph Gray (d. 1963)

1940 · Portfolio of 6 drypoints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bells of St. Clements from Battle of Britain portfolio

Joseph Gray (d. 1963)

1940 · Portfolio of 6 drypoints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

First Blitz from Battle of Britain portfolio

Joseph Gray (d. 1963)

1940 · Portfolio of 6 drypoints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Incendiary from Battle of Britain portfolio

Joseph Gray (d. 1963)

1940 · Portfolio of 6 drypoints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Burning of the City from Battle of Britain portfolio

Joseph Gray (d. 1963)

1940 · Portfolio of 6 drypoints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Man From Behind Carrying Guitar and Drum Set, Great Britain]

Leon Levinstein (d. 1988)

1960s–70s · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.