Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    372 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    329 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 32 matching records exist across the two collections.

Results for "Above the Old Bridge, Ipswich, or Little"12 records

Institutions answered newest-first by record, interleaved

Winter Landscape by Kano Sansetsu 狩野山雪, The Metropolitan Museum of Art

Winter Landscape

Kano Sansetsu 狩野山雪 (d. 1651)

second quarter of the 17th century · Hanging scroll; ink on paper

Cleared · Public Domain

live
The MetSimilar
Stove by David II Pfau, The Metropolitan Museum of Art

Stove

David II Pfau (d. 1702)

ca. 1684–85 · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Inkwell with three putti by Francesco Bertos, The Metropolitan Museum of Art

Inkwell with three putti

Francesco Bertos (d. 1741)

probably 1738 · Bronze, with remains of black lacquer

Cleared · Public Domain

live
The MetSimilar
Turtles by Itō Jakuchū, The Metropolitan Museum of Art

Turtles

Itō Jakuchū (d. 1800)

1789 · Hanging scroll; ink on paper

Cleared · Public Domain

live
The MetSimilar
Chatel Argent and the Val d'Aosta from above Villeneuve by Joseph Mallord William Turner, The Metropolitan Museum of Art

Chatel Argent and the Val d'Aosta from above Villeneuve

Joseph Mallord William Turner (d. 1851)

1836 · Watercolor and gouache (bodycolor) over graphite

Cleared · Public Domain

live
The MetSimilar
Above the Old Bridge, Ipswich, or Little Venice by Arthur Wesley Dow, The Metropolitan Museum of Art

Above the Old Bridge, Ipswich, or Little Venice

Arthur Wesley Dow (d. 1922)

ca. 1893–95 · Color woodcut

Cleared · Public Domain

live
The MetSimilar
Kora by an unrecorded maker, The Metropolitan Museum of Art

Kora

Unrecorded maker

19th century · Gourd, skin, leather, wood.

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Consequences of a Spoiled Youth

David Vinckboons (d. 1629)

1608 · Etching; the first state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Consequences of a Spoiled Youth

David Vinckboons (d. 1629)

1608 · Engraving; the second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Rubber–"Put to his Trumps"

Louis Maurer (d. 1932)

1857–71 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Picturesque America, or the Land We Live In, A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes...with Illustrations on Steel and Wood by Eminent American Artists

William Cullen Bryant (d. 1878)

1872 · Illustrations: steel engraving and wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kora

Mamadou Kouyaté (d. 1991) (bridge by Djimo Kouyaté)

ca. 1960 · Gourd, goat skin, antelope-hide, ebony, metal, wood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.