
Winter Landscape
Kano Sansetsu 狩野山雪 (d. 1651)
second quarter of the 17th century · Hanging scroll; ink on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
372 ms. The Metropolitan Museum of Art, Collection API (Open Access)
329 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 32 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Winter Landscape
Kano Sansetsu 狩野山雪 (d. 1651)
second quarter of the 17th century · Hanging scroll; ink on paper
Cleared · Public Domain
live
Stove
David II Pfau (d. 1702)
ca. 1684–85 · Faience (tin-glazed earthenware)
Cleared · Public Domain
live
Inkwell with three putti
Francesco Bertos (d. 1741)
probably 1738 · Bronze, with remains of black lacquer
Cleared · Public Domain
live
Turtles
Itō Jakuchū (d. 1800)
1789 · Hanging scroll; ink on paper
Cleared · Public Domain
live
Chatel Argent and the Val d'Aosta from above Villeneuve
Joseph Mallord William Turner (d. 1851)
1836 · Watercolor and gouache (bodycolor) over graphite
Cleared · Public Domain
live
Above the Old Bridge, Ipswich, or Little Venice
Arthur Wesley Dow (d. 1922)
ca. 1893–95 · Color woodcut
Cleared · Public Domain
live
Kora
Unrecorded maker
19th century · Gourd, skin, leather, wood.
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Consequences of a Spoiled Youth
David Vinckboons (d. 1629)
1608 · Etching; the first state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Consequences of a Spoiled Youth
David Vinckboons (d. 1629)
1608 · Engraving; the second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Rubber–"Put to his Trumps"
Louis Maurer (d. 1932)
1857–71 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Picturesque America, or the Land We Live In, A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes...with Illustrations on Steel and Wood by Eminent American Artists
William Cullen Bryant (d. 1878)
1872 · Illustrations: steel engraving and wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Kora
Mamadou Kouyaté (d. 1991) (bridge by Djimo Kouyaté)
ca. 1960 · Gourd, goat skin, antelope-hide, ebony, metal, wood
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.