
Virgin and Child with an Apple and a Rose
Unrecorded maker
ca. 1350–75 · Elephant ivory with modern silver base
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
290 ms. The Metropolitan Museum of Art, Collection API (Open Access)
457 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 36 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Virgin and Child with an Apple and a Rose
Unrecorded maker
ca. 1350–75 · Elephant ivory with modern silver base
Cleared · Public Domain
live
The Expulsion from Paradise from The Story of Adam and Eve
Heinrich Aldegrever (d. 1561)
1540 · Engraving
Cleared · Public Domain
live
Allegorical scene with beggars and blacksmiths (recto); Sketch of rooftop (verso)
David Vinckboons (d. 1629)
ca. 1613 · Pen and brown ink, brush and brown ink, brown wash, heightened with white, on antique laid paper partially prepared with green watercolor, double framing lines in brown ink and gold leaf (recto); black chalk (verso)
Cleared · Public Domain
live
Wedding medallion
Heinrich Aldegrever (d. 1561)
1600–1625 · Silver
Cleared · Public Domain
live
Pair-case watch with alarm
Adam Roumeau (d. 1698)
probably ca. 1695 · Case and dial: silver with blued-steel hand; movement: brass and steel
Cleared · Public Domain
live
Sampler
Sarah Lawrence (d. 9999)
1768 · Silk embroidery on linen
Cleared · Public Domain
live
Adam
Auguste Rodin (d. 1917)
modeled 1880 or 1881, cast 1910 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cassone panel
Virgil Solis (d. 1562)
1577 · Oak
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5: God the Father creating Adam and Eve, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Cesare Fantetti (d. 1675)
1675 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Raphael Conversing with Adam and Eve (Paradise Lost of Milton, Book 5, line 519)
John Martin (d. 1854)
1826 · Mezzotint with etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New Year's Eve and Adam; George O. Hamlin
John Sloan (d. 1951)
1918 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adam and Eve (number 5)
Carmen Arozena (d. 1963)
ca. 1959 · Sheet folded in half with letterpress title and publication details on front, poem by Aymerich on inside cover facing the print (etching)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.