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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    360 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    337 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 862 matching records exist across the two collections.

Results for "Adoration of the Infant Christ (one of a"12 records

Institutions answered newest-first by record, interleaved

The Adoration of the Shepherds by Bartolo di Fredi, The Metropolitan Museum of Art

The Adoration of the Shepherds

Bartolo di Fredi (d. 1410)

1374 · Tempera on poplar, gold ground

Cleared · Public Domain

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The MetSimilar
The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier by an unrecorded maker, The Cleveland Museum of Art

The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Unrecorded maker

1602–4 · Manuscript, Gum tempera, ink, and gold on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Saint Christopher and the Infant Christ by Dieric Bouts, The Metropolitan Museum of Art

Saint Christopher and the Infant Christ

Dieric Bouts (d. 1475)

After 1485 · Oil on oak panel

Cleared · Public Domain

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The MetSimilar
Figure from a Crèche: Infant Christ with Crib and Straw by an unrecorded maker, The Cleveland Museum of Art

Figure from a Crèche: Infant Christ with Crib and Straw

Unrecorded maker

1780–1830 · Sculpture, painted terracotta

Cleared · CC0

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Cleveland Museum of ArtSimilar
Crib of the Infant Jesus by an unrecorded maker, The Metropolitan Museum of Art

Crib of the Infant Jesus

Unrecorded maker

15th century · Wood, polychromy, lead, gilded silver, painted parchment, silk embroidery with seed pearls, gold thread, translucent enamels

Cleared · Public Domain

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The MetSimilar
The Adoration of the Christ Child by Master of Frankfurt, The Metropolitan Museum of Art

The Adoration of the Christ Child

Master of Frankfurt (d. 1515)

possibly 1496–1502 · Oil on oak panel

Cleared · Public Domain

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The MetSimilar
The Adoration of the Magi by Correggio (Antonio Allegri), The Metropolitan Museum of Art

The Adoration of the Magi

Correggio (Antonio Allegri) (d. 1534)

ca. 1517 · Red chalk, highlighted with white gouache

Cleared · Public Domain

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The MetSimilar
The Adoration of the Shepherds by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

The Adoration of the Shepherds

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

1524–27 · Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of black and a little red chalk (at upper left), on brownish paper

Cleared · Public Domain

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The MetSimilar
Adoration of the Infant Christ by Jean II Pénicaud, The Metropolitan Museum of Art

Adoration of the Infant Christ

Jean II Pénicaud (d. 1554)

mid-16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

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The MetSimilar
The Adoration of the Shepherds by El Greco (Domenikos Theotokopoulos), The Metropolitan Museum of Art

The Adoration of the Shepherds

El Greco (Domenikos Theotokopoulos) (d. 1614)

ca. 1605–10 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
Studies for an Adoration of the Shepherds by Adriaen Brouwer, The Metropolitan Museum of Art

Studies for an Adoration of the Shepherds

Adriaen Brouwer (d. 1638)

early 17th century · Pen and brown ink, over black chalk; framing line in pen and brown ink, probably by a later hand

Cleared · Public Domain

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The MetSimilar
Adoration of the Magi by Imitator of Netherlandish (Antwerp Mannerist) Painter, The Metropolitan Museum of Art

Adoration of the Magi

Imitator of Netherlandish (Antwerp Mannerist) Painter

probably seventeenth century · Oil on oak panel

Cleared · Public Domain

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The MetSimilar

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