Adoration of the Magi
Hans Reinhart the Elder (d. 1581)
ca. 1580–1600 · Silver, partially mercury-gilded.
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
225 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
520 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 257 matching records exist across the two collections.
Results for "Adoration of the Magi, volume 3, plate 2"12 records
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Altarpiece with the Adoration of the Magi, from Retables d'autels, plate 3, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Adoration of the Magi, from "Raccolta di Alcuni Disegni del Barberi da Cento detto Il Guercino"
Francesco Bartolozzi (d. 1815)
1764 · Etching; first state of two (De Vesme & Calabi)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adoration of the Christ child by magi, volume 4, plate 285 from "Monuments des Arts du Dessin"
Louise Bouteiller (d. 1828)
1829 · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adoration of the Magi, volume 2, plate 104 from "Monuments des Arts du Dessin"
Louise Bouteiller (d. 1828)
1829 · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adoration of the Magi, volume 3, plate 205 from "Monuments des Arts du Dessin"
Jules Dagneau
1829 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adoration of the Shepherds, volume 2, plate 107 from "Monuments des Arts du Dessin"
Baron Brunet-Denon
1829 · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adoration of the Shepherds, volume 2, plate 128 from "Monuments des Arts du Dessin"
Domenico Campagnola (d. 1564)
1829 · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adoration of the Shepherds, volume 2, plate 97 from "Monuments des Arts du Dessin"
Jules Dagneau
1829 · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adoration of the Shepherds, volume 3, plate 190 from "Monuments des Arts du Dessin"
Guillaume Henri Franquinet (d. 1854)
1829 · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Page, Volume 2
Edward Gordon Craig (d. 1966)
1899 · Illustrations: woodcuts, some hand-colored
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy as published of 'Picture Book' with 32 lithographic illustrations by Jean Charlot and text by Paul Claudel (John Becker, New York 1933)
Jean Charlot (d. 1979)
1933 · Colour lithographs on zinc
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.