Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    119 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    335 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 58 matching records exist across the two collections.

Results for "Adoring angel"12 records

Institutions answered newest-first by record, interleaved

Adoring Angel by Piero di Giovanni Tedesco, The Metropolitan Museum of Art

Adoring Angel

Piero di Giovanni Tedesco (d. 1402)

ca. 1395–96 · Marble (Carrara marble)

Cleared · Public Domain

live
The MetSimilar
The Risen Christ Adored by Saints and Angels by Giorgio Vasari, The Cleveland Museum of Art

The Risen Christ Adored by Saints and Angels

Giorgio Vasari (d. 1574)

1566–68 · Drawing, Black chalk, pen and brown ink, and extensive white heightening (wash and point of brush), with incising on paper prepared with a brown wash.

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Madonna and Child with Angels by Pietro di Domenico da Montepulciano, The Metropolitan Museum of Art

Madonna and Child with Angels

Pietro di Domenico da Montepulciano (d. 1424)

1420 · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
The Nativity by Gerard David, The Cleveland Museum of Art

The Nativity

Gerard David (d. 1523)

c. 1485–90 · Painting, oil on wood panel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Madonna and Child with Two Angels by Cosimo Rosselli, The Metropolitan Museum of Art

Madonna and Child with Two Angels

Cosimo Rosselli (d. 1507)

early 1480s · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Single Leaf from an Antiphonary: Initial H[odie nobis] with The Nativity by Benvenuto di Giovanni, The Cleveland Museum of Art

Single Leaf from an Antiphonary: Initial H[odie nobis] with The Nativity

Benvenuto di Giovanni

1471 · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel by Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo), The Metropolitan Museum of Art

Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel

Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (d. 1536)

early 1490s · Tempera on wood

Cleared · Public Domain

live
The MetSimilar
The Nativity by Martin Schongauer, The Cleveland Museum of Art

The Nativity

Martin Schongauer (d. 1491)

1470–75 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Adoring angel by an unrecorded maker, The Metropolitan Museum of Art

Adoring angel

Unrecorded maker

last quarter 15th century · Partly enameled gold

Cleared · Public Domain

live
The MetSimilar
Initial S[alve sancta parens] with the Virgin Adored by Angels, and Singing Benedictine Monks:  Single Leaf from a Gradual by an unrecorded maker, The Cleveland Museum of Art

Initial S[alve sancta parens] with the Virgin Adored by Angels, and Singing Benedictine Monks: Single Leaf from a Gradual

Unrecorded maker

c. 1270 · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Adoring angel by an unrecorded maker, The Metropolitan Museum of Art

Adoring angel

Unrecorded maker

last quarter 15th century · Partly enameled gold

Cleared · Public Domain

live
The MetSimilar
Adoring angel by an unrecorded maker, The Metropolitan Museum of Art

Adoring angel

Unrecorded maker

last quarter 15th century · Partly enameled gold

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.