
Adoring Angel
Piero di Giovanni Tedesco (d. 1402)
ca. 1395–96 · Marble (Carrara marble)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
119 ms. The Metropolitan Museum of Art, Collection API (Open Access)
335 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 58 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Adoring Angel
Piero di Giovanni Tedesco (d. 1402)
ca. 1395–96 · Marble (Carrara marble)
Cleared · Public Domain
live
The Risen Christ Adored by Saints and Angels
Giorgio Vasari (d. 1574)
1566–68 · Drawing, Black chalk, pen and brown ink, and extensive white heightening (wash and point of brush), with incising on paper prepared with a brown wash.
Cleared · CC0
live
Madonna and Child with Angels
Pietro di Domenico da Montepulciano (d. 1424)
1420 · Tempera on wood, gold ground
Cleared · Public Domain
live
The Nativity
Gerard David (d. 1523)
c. 1485–90 · Painting, oil on wood panel
Cleared · CC0
live
Madonna and Child with Two Angels
Cosimo Rosselli (d. 1507)
early 1480s · Tempera and gold on wood
Cleared · Public Domain
live![Single Leaf from an Antiphonary: Initial H[odie nobis] with The Nativity by Benvenuto di Giovanni, The Cleveland Museum of Art](https://openaccess-cdn.clevelandart.org/1952.282/1952.282_web.jpg)
Single Leaf from an Antiphonary: Initial H[odie nobis] with The Nativity
Benvenuto di Giovanni
1471 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
live
Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel
Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (d. 1536)
early 1490s · Tempera on wood
Cleared · Public Domain
live
The Nativity
Martin Schongauer (d. 1491)
1470–75 · Print, engraving
Cleared · CC0
live
Adoring angel
Unrecorded maker
last quarter 15th century · Partly enameled gold
Cleared · Public Domain
live![Initial S[alve sancta parens] with the Virgin Adored by Angels, and Singing Benedictine Monks: Single Leaf from a Gradual by an unrecorded maker, The Cleveland Museum of Art](https://openaccess-cdn.clevelandart.org/1951.313/1951.313_web.jpg)
Initial S[alve sancta parens] with the Virgin Adored by Angels, and Singing Benedictine Monks: Single Leaf from a Gradual
Unrecorded maker
c. 1270 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
live
Adoring angel
Unrecorded maker
last quarter 15th century · Partly enameled gold
Cleared · Public Domain
live
Adoring angel
Unrecorded maker
last quarter 15th century · Partly enameled gold
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.