
Seated Figure of Mercury
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1524–26 · Black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
747 ms. The Metropolitan Museum of Art, Collection API (Open Access)
272 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 175 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Seated Figure of Mercury
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1524–26 · Black chalk
Cleared · Public Domain
live
Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V)
Master of the Aeneid (d. 1545)
ca. 1530–35 · Painted enamel on copper, partly gilded
Cleared · Public Domain
live
The Combat between Dares and Entellus (Aeneid, Book V)
Master of the Aeneid (d. 1545)
ca. 1530–35 · Painted enamel on copper, partly gilded
Cleared · Public Domain
live
Mercury and Cupid
Francesco Fanelli (d. 1665)
late 1630s · Bronze
Cleared · Public Domain
live
Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697)
Wenceslaus Hollar (d. 1677)
1654 · Etching and engraving; fifth state of five, the plate reduced, as published in 1697 or 1698
Cleared · Public Domain
live
Edward V, from the English Monarchs series
Jean Dassier (d. 1763)
1731–32 · Bronze
Cleared · Public Domain
live
Mercury
Giambologna (d. 1608)
17th–18th century? · Bronze
Cleared · Public Domain
live
Jupiter and Mercury reveal themselves to Philemon and Baucis
Elie-Honoré Montagny (d. 1864)
1809 · Pen and brown ink, brush and brown and gray washes, with touches of white gouache; laid down; squared in graphite
Cleared · Public Domain
live![[Farmyard Scene] by V. Dijon, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DT1156.jpg)
[Farmyard Scene]
V. Dijon
1850–54 · Albumen silver print from paper negative
Cleared · Public Domain
live
Andiron with figure of Mercury (one of a pair)
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)
19th century? · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gyros V
Henry Pearson (d. 2006)
1965 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Large bowl with stripes
Itō Sekisui V (d. 9999)
2016 · Marbleized stoneware (neriage)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.