Sibyl
Agostino Zoppo (d. 1572)
mid-16th century · Bronze
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
133 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
512 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11 matching records exist across the two collections.
Results for "Aeneas looking for the road to hell"11 records
Institutions answered newest-first by record, interleaved
Mountainous Landscape with Travelers on a Road
Tobias Verhaecht (d. 1631)
1616 · Pen and brown ink, brown and blue wash, black chalk
Cleared · Public Domain
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Aeneas and the Sibyl in the Underworld
Jan Brueghel the Younger (d. 1678)
1630s · Oil on copper
Cleared · Public Domain
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The Bridge and Goats, part IX, plate 43 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
April 23, 1812 · Etching, aquatint and mezzotint; first state of five (Finberg)
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Aeneas looking for the road to hell
Etienne Delaune (d. 1583)
before 1573 · Engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Port of New York, Bird's Eye View from the Battery, Looking South
Parsons & Atwater (d. 1900)
1872 · Colored lithograph
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Port of New York: Bird's Eye View from the Battery, Looking South
Lyman Wetmore Atwater (d. 1891)
1878 · Lithograph printed in color
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"That's What's the Matter": Hello friend! Pretty bad looking smash up. Yes, confound it! All comes from buying a poor wagon.
Thomas B. Worth (d. 1917)
1882 · Hand-colored lithograph, with touches of gum arabic
In copyright
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