
Monsieur de St. George
William Ward (d. 1826)
April 4, 1788 · Mezzotint; third state of three
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1360 ms. The Metropolitan Museum of Art, Collection API (Open Access)
252 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Monsieur de St. George
William Ward (d. 1826)
April 4, 1788 · Mezzotint; third state of three
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bolucha Bassa Centurio Ianizerorum; Ianizer excubias agens Constantinopolipro Aula Imperatoris; Aulid genus audacissimorum militum; Sagittarius stipator Turcici Imperatoris; Ferentarij Ianizeri habitus militaris; Praefectus Tormentorum; Pelchlers Imper. Turc. a pedibu; Habent Turcaesuos athletas...; Athletarium vestitus...; Habitus sattellitus ad corporis custodiam Optimatum in Turcia
Abraham de Bruyn (d. 1587)
1580 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Darktown Athletics -- A Running High Jump: Match between the Darktown Grasshopper and the Blackville Frog
John Cameron (d. 1896)
1893 · Hand-colored lithograph with gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
African Athlete
Thornton Dial (d. 2016)
1998 · Graphite, charcoal, and pastel on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Finale #2
Amalia Amaki
2002/2006 · Buttons, gelatin silver photographs, cyanotype, postcards, playing card, black, brown, red and pink inks, graphite and cut and pasted papers on digital photograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Love Is The Message, The Message Is Death
Arthur Jafa (d. 9999)
2016 · Single-channel digital video, color, sound, 7 min., 25 sec.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dress
Georgina Godley (d. 1999)
fall/winter 1986–87, edition 2019 · (a) viscose, elastane, polyester, cotton, polyamide; (b) cotton, Lycra, plastic (polyurethane foam), polyester, elastane
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dress
Georgina Godley (d. 1999)
fall/winter 1986–87, edition 2019 · (a) viscose, elastane, polyester, cotton, polyamide; (b) cotton, Lycra, plastic (polyurethane foam), polyester, elastane
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.