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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    366 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 26 matching records exist across the two collections.

Results for "After the Bath"11 records

Institutions answered newest-first by record, interleaved

After the Bath by Mary Cassatt, The Cleveland Museum of Art

After the Bath

Mary Cassatt (d. 1926)

1901 · Drawing, pastel

Cleared · CC0

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Cleveland Museum of ArtSimilar
Venus after the Bath by Giambologna, The Cleveland Museum of Art

Venus after the Bath

Giambologna (d. 1608)

c. 1600 · Sculpture, bronze

Cleared · CC0

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Cleveland Museum of ArtSimilar
After the Bath (Large Version) by Edgar Degas, The Cleveland Museum of Art

After the Bath (Large Version)

Edgar Degas (d. 1917)

1891–92 · Print, transfer lithograph

Cleared · CC0

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Cleveland Museum of ArtSimilar
Leaving the Bath by Edgar Degas, The Cleveland Museum of Art

Leaving the Bath

Edgar Degas (d. 1917)

1879–80 · Print, drypoint, aquatint

Cleared · CC0

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Cleveland Museum of ArtSimilar
After the Bath III by Edgar Degas, The Cleveland Museum of Art

After the Bath III

Edgar Degas (d. 1917)

1891–92 · Print, lithograph

Cleared · CC0

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Cleveland Museum of ArtSimilar
Women's Bath by Max Beckmann, The Cleveland Museum of Art

Women's Bath

Max Beckmann (d. 1950)

1922 · Print, drypoint

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Lovers by Wenzel von Olmütz, The Cleveland Museum of Art

The Lovers

Wenzel von Olmütz

c. 1490 · Print, engraving

Cleared · CC0

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Cleveland Museum of ArtSimilar
Madame Coquardeau still has a pretty figure after all!... by Honoré Daumier, The Cleveland Museum of Art

Madame Coquardeau still has a pretty figure after all!...

Honoré Daumier (d. 1879)

1847 · Print, lithograph

Cleared · CC0

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Cleveland Museum of ArtSimilar
Khusrau Surprising Shirin While Bathing by an unrecorded maker, The Cleveland Museum of Art

Khusrau Surprising Shirin While Bathing

Unrecorded maker

1550–99 · Velvet, Silk: velvet, pile-warp substitution

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Farnesian Hercules by Hendrick Goltzius, The Cleveland Museum of Art

The Farnesian Hercules

Hendrick Goltzius (d. 1617)

1592 · Print, engraving

Cleared · CC0

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Cleveland Museum of ArtSimilar
Velvet Fragment, Khusrau Sees Shirin Bathing by an unrecorded maker, The Cleveland Museum of Art

Velvet Fragment, Khusrau Sees Shirin Bathing

Unrecorded maker

1550–99 · Velvet, silk; velvet, cut, pile-warp substitution

Cleared · CC0

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Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.