After the Battle
Reinier Nooms, called Zeeman (d. 1664)
17th century · Etching; state II
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
447 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
545 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 16,447 matching records exist across the two collections.
Results for "After the Battle"12 records
Institutions answered newest-first by record, interleaved
Egyptian Family (Sketch for "The Battle of the Pyramids")
Antoine-Jean Gros (d. 1835)
c. 1835 · Painting, oil on linen
Cleared · CC0
liveCleveland Museum of ArtSimilar
View in the Field, On the West Side of the Hagerstown Road, After the Battle of Antietam, Maryland, September 1862
Alexander Gardner (d. 1882)
1862 · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
Portrait of Agostino Barbarigo
Paolo Veronese (d. 1588)
after c. 1571 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
After the Battle
Rodolphe Bresdin (d. 1885)
1885 · Pen and black ink
Cleared · Public Domain
liveThe MetSimilar
The Climbers (Three Figures from Michelangelo's Battle of Cascina)
Marcantonio Raimondi
1510 · Print, engraving
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Young Sophocles Leading the Chorus of Victory after the Battle of Salamis
John Talbott Donoghue (d. 1903)
1885, cast 1927 · Bronze
Cleared · Public Domain
liveThe MetSimilar
General Jean-Baptiste Kléber and Egyptian Family (Sketches for "The Battle of the Pyramids")
Antoine-Jean Gros (d. 1835)
c. 1835 · Painting, oil on linen
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Surrender of John Frederick, Elector of Saxony, After the Battle of Muhlberg, from The Victories of Emperor Charles, plate 10
Dirck Volckertsz Coornhert (d. 1590)
1555 · Engraving and etching; third state of six (New Hollstein)
In copyright
liveThe MetSimilar
General Jean-Baptiste Kléber (Sketch for "The Battle of the Pyramids")
Antoine-Jean Gros (d. 1835)
c. 1835 · Painting, oil on linen
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Surrender of John Frederick, Elector of Saxony, After the Battle of Mühlberg, The Victories of Emperor Charles, plate 10
Dirck Volckertsz Coornhert (d. 1590)
1555 · Engraving and etching; third state of six (New Hollstein)
In copyright
liveThe MetSimilar
Battle of Ravana and Jatayu, from Chapters 50 and 51 of the Aranya Kanda (Book of the Forest) of Valmiki's Ramayana (Rama’s Journey); folio from the "Burnt" Ramayana
Unrecorded maker
c. 1605 · Painting, Gum tempera and ink on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.