
Agamemnon musters the Greek troops at Aulis from the “Story of Iphigenia”
Pieter Coecke van Aelst (d. 1550)
1535–48 · Wool, silk (16-17 warps per inch, 6-7 per cm.)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
213 ms. The Metropolitan Museum of Art, Collection API (Open Access)
274 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Agamemnon musters the Greek troops at Aulis from the “Story of Iphigenia”
Pieter Coecke van Aelst (d. 1550)
1535–48 · Wool, silk (16-17 warps per inch, 6-7 per cm.)
Cleared · Public Domain
live
The Battle of Diomedes and Aeneas (from the Story of Achilles)
Jan van Orley (d. 1735)
ca. 1720–30 · Pen and brown ink, brush and gray ink, heightened with white chalk, on blue paper; framing line in pen and brown ink, by the artist
Cleared · Public Domain
live
Perseus with the Head of Medusa
Antonio Canova (d. 1822)
1804–6 · Marble
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.