Bird Pendant
Unrecorded maker
300 BCE–700 CE · Gold alloy
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
1604 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
289 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Results for "Agua y Acero"12 records
Institutions answered newest-first by record, interleaved
Neck of Poporo (Lime Container)
Unrecorded maker
300 BCE–700 CE · Gold alloy
Cleared · Public Domain
liveThe MetSimilar
Seated female figure
Maya artist(s)
700–800 CE · Ceramic
Cleared · Public Domain
liveThe MetSimilar
Seated Female Figure
Unrecorded maker
6th–9th century · Ceramic
Cleared · Public Domain
liveThe MetSimilar
Altar to the Sun Warrior
Mexico Nahua artist(s)
1450-1521 CE · Stone
Cleared · Public Domain
liveThe MetSimilar
Pendant with sea mammal
Chiriquí artist(s)
700–1550 CE · Gold
Cleared · Public Domain
liveThe MetSimilar
Seated Figure
Unrecorded maker
700–1600 CE · Ceramic, gold
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Housing (folio) and title page for 'Los Proverbios. Coleccion de diez y ocho láminas inventadas y grabadas al agua fuerte por Don Francisco Goya
Goya (Francisco de Goya y Lucientes) (d. 1828)
1864 · Lithographic offset; (The prints: etching, aquatint, drypoint, burin, and burnishing)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
'Campanitas de Plata' (a children's book)
Mariano Silva y Aceves (d. 1937)
1925 · Woodcut and letterpress
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Protest; a gigantic man standing with his left fist clenched, from "Agua y Cuace"
Leopoldo Méndez (d. 1969)
1937 · Linocut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Agua y Acero
Melvin Edwards (d. 2026)
2000 · Stenciled cotton rag pulp on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fragments & Shadows
Melvin Edwards (d. 2026)
2001 · Stenciled cotton rag pulp on paper
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.