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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    306 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    352 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,527 matching records exist across the two collections.

Results for "Album containing prints clipped from Ame"12 records

Institutions answered newest-first by record, interleaved

Chief Etchers and Best Italian (Wilton House Album) by an unrecorded maker, The Metropolitan Museum of Art

Chief Etchers and Best Italian (Wilton House Album)

Unrecorded maker

early 18th century binding

Cleared · Public Domain

live
The MetSimilar
Album di disegni fotogenici by William Henry Fox Talbot, The Metropolitan Museum of Art

Album di disegni fotogenici

William Henry Fox Talbot (d. 1877)

1839–40 · Salted paper prints

Cleared · Public Domain

live
The MetSimilar
Galatea Married – Restored by Mr. Punch from one of the Elgin Bas-Reliefs representing the fragment of a Wheel by Anonymous, British, 19th century, The Metropolitan Museum of Art

Galatea Married – Restored by Mr. Punch from one of the Elgin Bas-Reliefs representing the fragment of a Wheel

Anonymous, British, 19th century (d. 1900)

April 14, 1866 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
A Chiel Among Them (recto); Amusements for the Sea-side (verso) by George Du Maurier, The Metropolitan Museum of Art

A Chiel Among Them (recto); Amusements for the Sea-side (verso)

George Du Maurier (d. 1896)

September 20, 1873 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Our Manoeuvres – Captain of Skirmishers Addresses a Lance-Corporal (recto); Sad, But a Fact! (verso) by Anonymous, British, 19th century, The Metropolitan Museum of Art

Our Manoeuvres – Captain of Skirmishers Addresses a Lance-Corporal (recto); Sad, But a Fact! (verso)

Anonymous, British, 19th century (d. 1900)

September 20, 1873 · Wood engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fifteen Pages from a Renaissance Print Album containing Architecture Prints

Anonymous, Italian, 16th century (d. 1600)

ca. 1530–50 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album of Ornament Prints from the Fund of Martin Engelbrecht

Martin Engelbrecht (d. 1756)

Printed ca. 1750–56 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing drawings, prints, manuscript pages and newspaper clippings

Marcus Clayton Stone (d. 1921)

1850–80 · Watercolor, pen and ink, wood engraving, engraving, printed text

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scrapbook Album containing Title Pages, Vignettes, Portraits, Book Plates and other Illustrations from Books

Unrecorded maker

16th–19th century · Album with printed pages

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scrapbook of Color Supplements, from "Illustrated London News" and "The Graphic"

Unrecorded maker

1842–99 · Wood engravings

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Miscellany: Portfolio containing plates from "Le Journal de la Decoration" and "Album de la Decoration"

Armand Guérinet (d. 1925)

ca. 1900 · Color lithograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.