
Locrian Ajax (Ajax Locrien), from "Les Images ou Tableaux de platte peinture des deux Philostrates Sophistes grecs..."
Thomas de Leu (d. 1620)
1614–15 · Engraving and letterpress
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
822 ms. The Metropolitan Museum of Art, Collection API (Open Access)
323 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,499 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Locrian Ajax (Ajax Locrien), from "Les Images ou Tableaux de platte peinture des deux Philostrates Sophistes grecs..."
Thomas de Leu (d. 1620)
1614–15 · Engraving and letterpress
Cleared · Public Domain
live
Painting
Louis Félix de La Rue (d. 1765)
1765 · Etching
Cleared · Public Domain
live
Album of Caricatures
Ange-Laurent de La Live de Jully (d. 1779)
second half of the 18th century · Etchings
Cleared · Public Domain
live
Vue des Ouvrages de Peinture
Antoine Maxime Monsaldy (d. 1816)
1801 · Etching
Cleared · Public Domain
live
Vue des Ouvrages de Peinture (east side)
Antoine Maxime Monsaldy (d. 1816)
1801 · Etching
Cleared · Public Domain
live
Vue des Ouvrages de Peinture (west side)
Antoine Maxime Monsaldy (d. 1816)
1801 · Etching
Cleared · Public Domain
live
Fameux Jury de Peinture; Salon de 1841
Clément Pruche (d. 1870)
March 20, 1841 · Lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Optique de portraiture et peinture
Grégoire Huret (d. 1670)
1670
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album Artistico de Toledo
Manuel de Assas
1848
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album de Peinture
M. de Rancourt
1851 · Pen and black ink; graphite; pink, red, brown, orange, blue, green, purple, yellow, white, and gray watercolor; highlights of gold and silver paint.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Madrid. Musée de Peinture
Louis de Clercq (d. 1901)
1860 · Albumen silver print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Académie de Peinture
E. Huard (d. 1869)
late 1860s–70s · Albumen silver print from glass negative
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.