Copy of Zhai Dakun's Landscapes in the Styles of Old Masters
Tsubaki Chinzan (d. 1854)
1847 · Portfolio, album of 10 leaves; ink and color on silk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
348 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 14 matching records exist across the two collections.
Results for "Album of Copies of Chinese Paintings"12 records
Institutions answered newest-first by record, interleaved
Reverberations of Taiga, Volume 2 (leaf 7)
Aoki Shukuya (d. 1802)
mid-1700s–1802 · Portfolio, double-leaf from a pair of albums; ink and light color on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Willow Branches in Spring
Tsubaki Chinzan (d. 1854)
1847 · Portfolio, album leaf; ink and color on silk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Frosted Branches and Dwarf Bamboo
Tsubaki Chinzan (d. 1854)
1847 · Portfolio, album leaf; ink and color on silk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Folded Hills and Layered Peaks
Tsubaki Chinzan (d. 1854)
1847 · Portfolio, album leaf; ink and color on silk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Reverberations of Taiga, Volume 1 (leaf 23)
Aoki Shukuya (d. 1802)
mid-1700s–1802 · Portfolio, double-leaf from a pair of albums; ink and light color on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Reverberations of Taiga, Volume 2 (leaf 25)
Aoki Shukuya (d. 1802)
mid-1700s–1802 · Portfolio, double-leaf from a pair of albums; ink and light color on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Willow and Waterfall
Tsubaki Chinzan (d. 1854)
1847 · Portfolio, album leaf; ink and color on silk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Hut Amidst the Trees
Tsubaki Chinzan (d. 1854)
1847 · Portfolio, album leaf; ink and color on silk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Drifting in a Boat
Tsubaki Chinzan (d. 1854)
1847 · Portfolio, album leaf; ink and color on silk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Ten Thousand Bamboos in the Mist and Rain
Tsubaki Chinzan (d. 1854)
1847 · Portfolio, album leaf; ink and color on silk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Dwellings beneath Folded Hills
Tsubaki Chinzan (d. 1854)
1847 · Portfolio, album leaf; ink and color on silk
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.