
Plate with the god Chahk
Maya artist(s)
600-800 CE · Ceramic, slip
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
272 ms. The Metropolitan Museum of Art, Collection API (Open Access)
373 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 67 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate with the god Chahk
Maya artist(s)
600-800 CE · Ceramic, slip
Cleared · Public Domain
live
Gluttony from a set of The Seven Deadly Sins
Pieter Coecke van Aelst (d. 1550)
Between ca. 1550 and 1560 · Wool, silk, silver-gilt thread 19-23 warps per inch, 8-10 per cm.
Cleared · Public Domain
live
Watch in the form of a Lesser George
Nicholas Vallin (d. 1603)
ca. 1600 · Case and dial: gold, partly enameled; movement: gilded brass and steel
Cleared · Public Domain
live
Alexander the Great as a Judge, plate 10 from "Thronus Justitiae, tredecim pulcherrimus tabulis..."
Willem van Swanenburg (d. 1612)
1605–6 · Engraving
Cleared · Public Domain
live
Watch with portrait of Friedrick Wilhelm, the Great Elector
Johann G. Racine (d. 1748)
case ca. 1688, movement ca. 1750 · Case: painted enamel on gold; Movement: brass and steel
Cleared · Public Domain
live
Botanical plate with spray of lilies
Chelsea Porcelain Manufactory (d. 1784)
ca. 1755 · Soft-paste porcelain with enamel decoration
Cleared · Public Domain
live
Medici vase with a scene of the park at Saint-Cloud (one of a pair)
Sèvres Manufactory (d. 9999)
1811 · Hard-paste porcelain decorated in polychrome enamels, gold, gilt bronze
Cleared · Public Domain
live
Watch in the form of a human skull
Isaac Penard (d. 1676)
case ca. 1810–20, movement ca. 1650 · Case: silver; Dial: silver, partly nielloed; Movement: gilded brass and steel
Cleared · Public Domain
live
Harvard / Hall. Mafs.
Job & John Jackson (d. 1835)
ca. 1831–ca. 1835 · Earthenware, transfer-printed
Cleared · Public Domain
live
Percussion Longrifle Converted to a Target Rifle
Jacob Kuntz (d. 1876)
stock and fittings, ca. 1830–40; lock, ca. 1830–40; barrel, 1862 · Wood (maple), steel, brass, platinum, silver, horn, bone
Cleared · Public Domain
live
Ambroise Bernard Album
Carleton E. Watkins (d. 1916)
1870s · Albumen silver prints
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Alexander the Great Swallows Poison, plate 4 from 'Differens Desseins d'Alcauue', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.