Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    353 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    350 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 59 matching records exist across the two collections.

Results for "Ali Musjid and Surroundings"12 records

Institutions answered newest-first by record, interleaved

Tile Panel in the form of an Architectural Niche by Hasan ibn `Ali ibn Ahmad Babavaih, The Metropolitan Museum of Art

Tile Panel in the form of an Architectural Niche

Hasan ibn `Ali ibn Ahmad Babavaih

first half 14th century · Stonepaste; inglaze painted in blue, luster-painted on opaque white glaze, modeled

Cleared · Public Domain

live
The MetSimilar
Ali Musjid and Surroundings by John Burke, The Cleveland Museum of Art

Ali Musjid and Surroundings

John Burke (d. 1915)

1878–80 · Photograph, albumen print

Cleared · CC0

live
Cleveland Museum of ArtSimilar
"Amr has the Infidels Thrown into the Sea", Folio from a Khavarannama (The Book of the East) of ibn Husam al-Din by Maulana Muhammad Ibn Husam ad Din, The Metropolitan Museum of Art

"Amr has the Infidels Thrown into the Sea", Folio from a Khavarannama (The Book of the East) of ibn Husam al-Din

Maulana Muhammad Ibn Husam ad Din (d. 1470)

ca. 1476–86 · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
"Firdausi's Parable of the Ship of Shi'ism", Folio 18v from the Shahnama (Book of Kings) of Shah Tahmasp by Abu'l Qasim Firdausi, The Metropolitan Museum of Art

"Firdausi's Parable of the Ship of Shi'ism", Folio 18v from the Shahnama (Book of Kings) of Shah Tahmasp

Abu'l Qasim Firdausi (d. 1020)

ca. 1530–35 · Opaque watercolor, ink, silver, and gold on paper

Cleared · Public Domain

live
The MetSimilar
"Prophet Muhammad Preaching", Folio from a Maqtal-i Al-i Rasul of Lami'i Chelebi by Lami'i Chelebi, The Metropolitan Museum of Art

"Prophet Muhammad Preaching", Folio from a Maqtal-i Al-i Rasul of Lami'i Chelebi

Lami'i Chelebi

late 16th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
"Page of Calligraphy Illuminated with Animals and Plants in a Field of Flowers", Folio from the Shah Jahan Album by Nanha, The Metropolitan Museum of Art

"Page of Calligraphy Illuminated with Animals and Plants in a Field of Flowers", Folio from the Shah Jahan Album

Nanha

verso: ca. 1610–15; recto: ca.1535–45 · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
'Unwan from the Shah Jahan Album by Mir 'Ali Haravi, The Metropolitan Museum of Art

'Unwan from the Shah Jahan Album

Mir 'Ali Haravi (d. 1575)

recto: ca. 1630–40; verso: ca. 1540 · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Album Page with Découpé Calligraphy by an unrecorded maker, The Metropolitan Museum of Art

Album Page with Découpé Calligraphy

Unrecorded maker

1630–40 · Gouache on black paper with colored and white decoupage

Cleared · Public Domain

live
The MetSimilar
Sultan Ibrahim 'Adil Shah II in Procession by 'Ali Riza 'Abbasi, The Metropolitan Museum of Art

Sultan Ibrahim 'Adil Shah II in Procession

'Ali Riza 'Abbasi (d. 1675)

mid-17th century · Opaque watercolor and gold on paper

Cleared · Public Domain

live
The MetSimilar
"Aquatic Birds at a Pool", Folio from the Davis Album by an unrecorded maker, The Metropolitan Museum of Art

"Aquatic Birds at a Pool", Folio from the Davis Album

Unrecorded maker

late 17th or early 18th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Qur'an Manuscript with Lacquer Binding by an unrecorded maker, The Metropolitan Museum of Art

Qur'an Manuscript with Lacquer Binding

Unrecorded maker

early 19th century · Manuscript: Ink, opaque watercolor, and gold on paper Binding: pasteboard; painted and lacquered

Cleared · Public Domain

live
The MetSimilar
"Jewish Captives Making an Appeal to the Prophet," Folio from a Hamla-yi Haidari (Attack of the Lion) by an unrecorded maker, The Metropolitan Museum of Art

"Jewish Captives Making an Appeal to the Prophet," Folio from a Hamla-yi Haidari (Attack of the Lion)

Unrecorded maker

19th century · Opaque watercolor, gold, and ink on paper

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.