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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    442 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 160 matching records exist across the two collections.

Results for "All Fours"10 records

Institutions answered newest-first by record, interleaved

Tea Caddy by Paul Jacques de Lamerie, The Cleveland Museum of Art

Tea Caddy

Paul Jacques de Lamerie (d. 1751)

1741–42 · Silver, silver gilt

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Four Horsemen, from The Apocalypse by Albrecht Dürer, The Cleveland Museum of Art

The Four Horsemen, from The Apocalypse

Albrecht Dürer (d. 1528)

c. 1498 · Print, woodcut

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Four Seasons: Autumn by Abraham Bosse, The Cleveland Museum of Art

The Four Seasons: Autumn

Abraham Bosse (d. 1676)

1635 · Print, engraving and etching

Cleared · CC0

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Cleveland Museum of ArtSimilar
Square Ornament from a Tunic by an unrecorded maker, The Cleveland Museum of Art

Square Ornament from a Tunic

Unrecorded maker

700s · Textile, Silk; complementary weft-faced twill weave with inner warps (samite)

Cleared · CC0

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Cleveland Museum of ArtSimilar
Blouse in four pieces by an unrecorded maker, The Cleveland Museum of Art

Blouse in four pieces

Unrecorded maker

1800s · Embroidery, Plain weave piña; needle lace (drawnwork) and white cotton embroidery

Cleared · CC0

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Cleveland Museum of ArtSimilar
Black-Figure Lekythos (Oil Vessel): Pan Presenting Hare to Woman by Asteas/Python Workshop, The Cleveland Museum of Art

Black-Figure Lekythos (Oil Vessel): Pan Presenting Hare to Woman

Asteas/Python Workshop

c. 330–320 BCE · Ceramic, ceramic

Cleared · CC0

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Cleveland Museum of ArtSimilar
Intaglio: Victory in a Chariot by an unrecorded maker, The Cleveland Museum of Art

Intaglio: Victory in a Chariot

Unrecorded maker

1–200 CE · Jewelry, red jasper in gold mount

Cleared · CC0

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Cleveland Museum of ArtSimilar
One-Faced Linga (Ekamukhalinga) by an unrecorded maker, The Cleveland Museum of Art

One-Faced Linga (Ekamukhalinga)

Unrecorded maker

600s–700s · Sculpture, chloritic schist

Cleared · CC0

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Cleveland Museum of ArtSimilar
Brahma-Shiva by an unrecorded maker, The Cleveland Museum of Art

Brahma-Shiva

Unrecorded maker

900s · Sculpture, granite

Cleared · CC0

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Cleveland Museum of ArtSimilar
Backrest of a Litter by an unrecorded maker, The Cleveland Museum of Art

Backrest of a Litter

Unrecorded maker

1185–1275 (radiocarbon date, 95.4% probability) · Sculpture, mixed media: wood, gold alloy, pigment, shell inlay

Cleared · CC0

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Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.