
Portrait of a monk, possibly Chen Nga Tshultrim Bar, extending a blessing
Unrecorded maker
late 11th–early 12th century · Distemper on cloth
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
917 ms. The Metropolitan Museum of Art, Collection API (Open Access)
404 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 805 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Portrait of a monk, possibly Chen Nga Tshultrim Bar, extending a blessing
Unrecorded maker
late 11th–early 12th century · Distemper on cloth
Cleared · Public Domain
live
Enthroned Virgin and Child
Unrecorded maker
ca. 1300 · Elephant ivory
Cleared · Public Domain
live
All Saints in an Initial E or O
Osservanza Master (d. 1450)
ca. 1430–40 · Tempera and gold on parchment
Cleared · Public Domain
live
Cherub and shell
Sculptor close to Donatello
possibly 1470s · Bronze
Cleared · Public Domain
live
The Crozier
Martin Schongauer (d. 1491)
1470–1491 · Engraving
Cleared · Public Domain
live
The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi)
Lo Spagna (Giovanni di Pietro) (d. 1528)
1514–16 · Charcoal or black chalk; outlines pricked and pounced for transfer
Cleared · Public Domain
live
Close Helmet
Gian Giacomo Negroli (d. 1543)
ca. 1510–20 · Steel, gold
Cleared · Public Domain
live
Remains of the Entrance of Hadrian’s Villa near Tivoli
Luigi Basiletti (d. 1859)
ca. 1820 · Pen and brown wash over graphite
Cleared · Public Domain
live
All that remains is to close the blessed trunk!, from "Little Miseries of Human Life"
J. J. Grandville (d. 1847)
1843 · Wood engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Darktown Tournament --Close Quarters
John Cameron (d. 1896)
1890 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lucas I
Chuck Close (d. 2021)
1986–87 · Oil and graphite on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seeing is Believing
Arlene Shechet (d. 9999)
2015 · Glazed ceramic, paint and steel
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.