Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    695 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    280 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 104 matching records exist across the two collections.

Results for "Allegorical Figures of Faith, Hope and C"12 records

Institutions answered newest-first by record, interleaved

The Theological Virtues: Faith, Charity, Hope by Italian (Umbrian) Painter, The Metropolitan Museum of Art

The Theological Virtues: Faith, Charity, Hope

Italian (Umbrian) Painter

1505 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Close Helmet by an unrecorded maker, The Metropolitan Museum of Art

Close Helmet

Unrecorded maker

ca. 1575 · Steel, gold

Cleared · Public Domain

live
The MetSimilar
Ewer with Figures of Faith, Hope, and Charity by François Briot, The Metropolitan Museum of Art

Ewer with Figures of Faith, Hope, and Charity

François Briot (d. 1615)

(model), Montbéliard, late 16th century · Pewter

Cleared · Public Domain

live
The MetSimilar
Allegorical Figure of Faith by Giovanni Battista Gaulli (Il Baciccio), The Metropolitan Museum of Art

Allegorical Figure of Faith

Giovanni Battista Gaulli (Il Baciccio) (d. 1709)

1672 · Pen and brown ink, brush and brown wash, highlighted with white, over a little black chalk, on brownish paper

Cleared · Public Domain

live
The MetSimilar
Allegorical figure by François Girardon, The Metropolitan Museum of Art

Allegorical figure

François Girardon (d. 1715)

1672–75 · Marble

Cleared · Public Domain

live
The MetSimilar
Design for a Dome Compartment with Figures of Faith and Hope by Ercole Procaccini The Younger, The Metropolitan Museum of Art

Design for a Dome Compartment with Figures of Faith and Hope

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and brown wash, over black chalk

Cleared · Public Domain

live
The MetSimilar
Faith, Hope and Charity by Balthasar Ferdinand Moll, The Metropolitan Museum of Art

Faith, Hope and Charity

Balthasar Ferdinand Moll (d. 1785)

ca. 1739–40 · Walnut, dark-stained ivory

Cleared · Public Domain

live
The MetSimilar
Allegorical Figures of Faith, Hope and Charity in a Niche by Jacob de Wit, The Metropolitan Museum of Art

Allegorical Figures of Faith, Hope and Charity in a Niche

Jacob de Wit (d. 1754)

early 18th century · Pen and black ink, brush and gray wash heightened with white on blue paper. Quadruple framing line in pen and black ink with red wash.

Cleared · Public Domain

live
The MetSimilar
Design for a Frontispiece with Figures of Faith and Hope by Martin Tyroff, The Metropolitan Museum of Art

Design for a Frontispiece with Figures of Faith and Hope

Martin Tyroff (d. 1759)

1704–59 · Red chalk

Cleared · Public Domain

live
The MetSimilar
Faith and Hope by Henry E. Sharp, The Metropolitan Museum of Art

Faith and Hope

Henry E. Sharp (d. 1897)

1867–69 · Stained glass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Pope Clement VIII surrounded by scenes from his life, allegorical figures of Faith and Hope(?) seated in the lower section

Francesco Villamena (d. 1624)

1599 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New College Window, Oxford: Faith

Georg Siegmund Facius (d. 1813)

November 1, 1781 · Stipple engraving and etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.