Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci (d. 1519)
1496 · Pen and brown ink (recto and verso)
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
126 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
297 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6 matching records exist across the two collections.
Results for "Allegory of Juno and Venice, who is repr"6 records
Institutions answered newest-first by record, interleaved
Annunciation
Niccolò Roccatagliata (d. 1636)
early 17th century · Bronze
Cleared · Public Domain
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Jupiter with a thunderbolt
Joseph de Levis (d. 1611)
late 16th–early 17th century · Bronze
Cleared · Public Domain
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The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura')
Pietro da Cortona (Pietro Berrettini) (d. 1669)
ca. 1633 · Pen and brown ink, brush and brown wash, over black chalk
Cleared · Public Domain
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An Eagle with Wings Spread
Giovanni Battista Tiepolo (d. 1770)
1696–1770 · Charcoal, heightened with white chalk
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Allegory of Juno and Venice, who is represented as a female deity, seated in the clouds with a peacock at center
Andrea Zucchi (d. 1740)
ca. 1720 · Etching
In copyright
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