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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    952 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    326 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "Allegory of Religion (God the Father abo"12 records

Institutions answered newest-first by record, interleaved

Seated Harpokrates with the crown of Amun, named as "Harpokrates-the-great, the eldest, the first of Amun" by an unrecorded maker, The Metropolitan Museum of Art

Seated Harpokrates with the crown of Amun, named as "Harpokrates-the-great, the eldest, the first of Amun"

Unrecorded maker

664–30 BCE · Cupreous metal, precious metal inlay

Cleared · Public Domain

live
The MetSimilar
Seated Harpokrates with the crown of Amun, named as "Harpokrates-the-great, the eldest, the first of Amun" by an unrecorded maker, The Metropolitan Museum of Art

Seated Harpokrates with the crown of Amun, named as "Harpokrates-the-great, the eldest, the first of Amun"

Unrecorded maker

664–30 BCE · Cupreous metal, precious metal inlay

Cleared · Public Domain

live
The MetSimilar
Cutout Disk by an unrecorded maker, The Metropolitan Museum of Art

Cutout Disk

Unrecorded maker

6th–7th century · Gilded copper

Cleared · Public Domain

live
The MetSimilar
Disk by an unrecorded maker, The Metropolitan Museum of Art

Disk

Unrecorded maker

6th–7th century · Gilded copper, silvered copper, shell inlay

Cleared · Public Domain

live
The MetSimilar
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso) by Leonardo da Vinci, The Metropolitan Museum of Art

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)

Leonardo da Vinci (d. 1519)

1496 · Pen and brown ink (recto and verso)

Cleared · Public Domain

live
The MetSimilar
Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man) by an unrecorded maker, The Metropolitan Museum of Art

Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man)

Unrecorded maker

1500–1520 · Wool warp; wool and silk wefts

Cleared · Public Domain

live
The MetSimilar
Allegory of the Course of Human Life (Choosing Virtue) by Jan van der Straet, called Stradanus, The Metropolitan Museum of Art

Allegory of the Course of Human Life (Choosing Virtue)

Jan van der Straet, called Stradanus (d. 1605)

1570 or before · Pen and brown ink, brush and brown wash, with heightening in opaque white; framing lines in pen and brown ink, by the artist

Cleared · Public Domain

live
The MetSimilar
Allegory of the Death of a Religious Man by Frans Francken II, The Metropolitan Museum of Art

Allegory of the Death of a Religious Man

Frans Francken II (d. 1642)

early 17th century · Pen and brown ink, brush and brown and blue ink

Cleared · Public Domain

live
The MetSimilar
Allegory of Religion (God the Father above, Faith, Hope, and Charity below) by Ludovico Lana, The Metropolitan Museum of Art

Allegory of Religion (God the Father above, Faith, Hope, and Charity below)

Ludovico Lana (d. 1646)

1597–1646 · Pen and brown ink, brush and brown and rose-brown wash, highlighted with white, on brownish paper

Cleared · Public Domain

live
The MetSimilar
Allegory of Autumn (Bacchus) by Filippo Parodi, The Metropolitan Museum of Art

Allegory of Autumn (Bacchus)

Filippo Parodi (d. 1702)

ca. 1670s · Carved poplar, varnished and gilt

Cleared · Public Domain

live
The MetSimilar
Saint Barbara by Unknown, The Metropolitan Museum of Art

Saint Barbara

Unknown

last quarter 18th century · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Heaven on a Mule

Raymond Steth (d. 1997)

ca. 1938–43 · Lithograph

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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