The Theological Virtues: Faith, Charity, Hope
Italian (Umbrian) Painter
1505 · Tempera and gold on wood
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
1068 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
911 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 32 matching records exist across the two collections.
Results for "Allegory of Virtues and Vices at the Cou"11 records
Institutions answered newest-first by record, interleaved
Allegory of Virtues and Vices at the Court of Charles V
Hans Daucher (d. 1538)
ca. 1522 · Honestone (Jurassic limestone), traces of gilding
Cleared · Public Domain
liveThe MetSimilar
Vanity Sounds the Horn and Ignorance Unleashes the Hounds Overconfidence, Rashness, and Desire (from The Hunt of the Frail Stag)
Unrecorded maker
ca. 1500–1525 · Wool warp, wool and silk wefts, one place embroidered in wool yarn
Cleared · Public Domain
liveThe MetSimilar
Allegory of the Course of Human Life (Choosing Virtue)
Jan van der Straet, called Stradanus (d. 1605)
1570 or before · Pen and brown ink, brush and brown wash, with heightening in opaque white; framing lines in pen and brown ink, by the artist
Cleared · Public Domain
liveThe MetSimilar
The Lament of the Art of Painting
Cornelis Cort (d. 1578)
1579 · Engraving; two plates printed on two sheets
Cleared · Public Domain
liveThe MetSimilar
Allegorical thesis print with various figures, set in an architectural structure
Philippe Thomassin (d. 1622)
1608 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)
Pietro da Cortona (Pietro Berrettini) (d. 1669)
ca. 1635 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper
Cleared · Public Domain
liveThe MetSimilar
Allegory of Marie Antoinette
Augustin de Saint-Aubin (d. 1807)
1776 · Etching
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Combats and Triumphs: Minerva or Victorious Virtue
Etienne Delaune (d. 1583)
before 1556 · Engraving: first state
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hercules, from a suite of ornament designs with grotesques, allegories and deities
Etienne Delaune (d. 1583)
before 1573 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ornament designs in the shape of the Cross of Lorraine, representing Diana, surrounded by grotesque motifs on a black ground
Etienne Delaune (d. 1583)
1573 · Engraving: first state
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.