
Two nude women
Ludwig Krug (d. 1532)
ca. 1515–30 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
240 ms. The Metropolitan Museum of Art, Collection API (Open Access)
301 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 50 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Two nude women
Ludwig Krug (d. 1532)
ca. 1515–30 · Engraving
Cleared · Public Domain
live
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)
Pietro da Cortona (Pietro Berrettini) (d. 1669)
ca. 1635 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper
Cleared · Public Domain
live
Allegory of a thesis, two women hold inscribed tablets
Bartolomeo Coriolano (d. 1676)
1640 · Chiaroscuro woodcut from two blocks printed and green (only state)
Cleared · Public Domain
live
Ornament design for a thesis, the Strozzi coat of arms at top
Stefano della Bella (d. 1664)
ca. 1660 · Engraving with etching; second state of two
Cleared · Public Domain
live
An Allegory of the Union of the House of Orange and the Wittelsbach Family (Design for a Title Page of a Thesis)
Jonas Umbach (d. 1693)
1640–93 · Black chalk, pen and brown ink, gray wash
Cleared · Public Domain
live
Allegory of America, from the Four Continents
Godfried Maes (d. 1700)
17th century · Pen and gray ink, brush and gray wash, over black chalk
Cleared · Public Domain
live
The Oracle
John Dixon (d. 1811)
1774 · Mezzotint
Cleared · Public Domain
live
Allegory of the Baker's Trade
Johannes Petrus van Horstok (d. 1825)
1807 · Pen and brush and gray wash, over graphite or black chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The altar of sacrifice, from a suite of ornament designs with grotesques, allegories and deities
Etienne Delaune (d. 1583)
before 1573 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The altar of sacrifice, from a suite of ornament designs with grotesques, allegories and deities
Etienne Delaune (d. 1583)
before 1573 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two seated women, from a suite of ornament designs with grotesques, allegories and deities
Etienne Delaune (d. 1583)
before 1573 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two seated women, from a suite of ornament designs with grotesques, allegories and deities
Etienne Delaune (d. 1583)
before 1573 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.