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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    293 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    350 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Allegory of abundance: Ceres holding a c"12 records

Institutions answered newest-first by record, interleaved

Allegory with a Flying Victory and a Seated Bearded Man with a Book by Battista Franco, The Metropolitan Museum of Art

Allegory with a Flying Victory and a Seated Bearded Man with a Book

Battista Franco (d. 1561)

1510–61 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

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The MetSimilar
Study for the Allegory of San Gimignano and Colle Val d'Elsa by Jacopo Zucchi, The Metropolitan Museum of Art

Study for the Allegory of San Gimignano and Colle Val d'Elsa

Jacopo Zucchi (d. 1596)

1563 · Pen and brown ink, highlighted with white gouache, traces of squaring in black chalk (on top of drawing surface), over traces of black chalk on blue paper

Cleared · Public Domain

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The MetSimilar
Allegory of abundance: Ceres holding a cornucopia at right and Pomona at left feeding fruit to a monkey by Theodor van Kessel, The Metropolitan Museum of Art

Allegory of abundance: Ceres holding a cornucopia at right and Pomona at left feeding fruit to a monkey

Theodor van Kessel (d. 1660)

ca. 1652–60 · Etching and engraving

Cleared · Public Domain

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The MetSimilar
The Chariot of Aurora by Giovanni Battista Tiepolo, The Metropolitan Museum of Art

The Chariot of Aurora

Giovanni Battista Tiepolo (d. 1770)

1760s · Oil on canvas

Cleared · Public Domain

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The MetSimilar
Milk Pot by John C. Moore, The Metropolitan Museum of Art

Milk Pot

John C. Moore (d. 1874)

1850 · Silver

Cleared · Public Domain

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The MetSimilar
Sugar Bowl by John C. Moore, The Metropolitan Museum of Art

Sugar Bowl

John C. Moore (d. 1874)

1850 · Silver

Cleared · Public Domain

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The MetSimilar
Teakettle by John C. Moore, The Metropolitan Museum of Art

Teakettle

John C. Moore (d. 1874)

1850 · Silver

Cleared · Public Domain

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The MetSimilar
Aduno Koro (Ark of the World) vessel with ancestral figures by Dogon blacksmith, The Metropolitan Museum of Art

Aduno Koro (Ark of the World) vessel with ancestral figures

Dogon blacksmith

16th–19th century · Wood

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A horseman, flanked by winged female centaurs

Etienne Delaune (d. 1583)

before 1573 · Engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Etchings for the Art-Union of London

The Etching Club (d. 1885)

1857 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Allegory on marriage, with a woman dressed as Venus at left holding a crystal ball, Alfonso de Avalos dressed as Mars at center placing his left hand on her shoulder, Cupid and two other allegorical figures at right

Jean Charles Thevenin (d. 1869)

1867 · Engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Allegory of abundance: Ceres holding a cornucopia at left and Pomona at right feeding fruit to a monkey, from "Gazette des Beaux-Arts"

Charles Louis Kratké (d. 1921)

ca. 1887–92 · Etching

In copyright

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The MetSimilar

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