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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    261 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    336 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 59 matching records exist across the two collections.

Results for "Allegory of the Danger of Deceitful Love"12 records

Institutions answered newest-first by record, interleaved

Study for The Allegory of Spring by Federico Zuccaro (Zuccari), The Metropolitan Museum of Art

Study for The Allegory of Spring

Federico Zuccaro (Zuccari) (d. 1609)

1579 · Pen and brown ink, over red chalk and black chalk, brush and brown wash, highlighted with white gouache

Cleared · Public Domain

live
The MetSimilar
An Allegory by Adam Gutmann, The Metropolitan Museum of Art

An Allegory

Adam Gutmann (d. 1637)

1598 · Pen and black ink, gray, brownish-green and pink washes

Cleared · Public Domain

live
The MetSimilar
Allegory of Sacred and Profane Love by Michele Desubleo, The Metropolitan Museum of Art

Allegory of Sacred and Profane Love

Michele Desubleo (d. 1676)

1665–75 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Allegory of love, hope and plenty by Johann Heinrich Balthasar Sang, The Metropolitan Museum of Art

Allegory of love, hope and plenty

Johann Heinrich Balthasar Sang (d. 1800)

ca. 1750 · Glass, engraved and partly polished

Cleared · Public Domain

live
The MetSimilar
Fidelity, the Mother of Constant Love by Augustin Pajou, The Metropolitan Museum of Art

Fidelity, the Mother of Constant Love

Augustin Pajou (d. 1809)

1799 · Terracotta

Cleared · Public Domain

live
The MetSimilar
Falling Leaves, Allegory of Autumn by Hugues Merle, The Metropolitan Museum of Art

Falling Leaves, Allegory of Autumn

Hugues Merle (d. 1881)

1872 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Allegory of the Torments of Love

Monogrammist O.O.V.I. VEN (d. 1600)

ca. 1542 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Allegory of the Torments of Love

Monogrammist O.O.V.I. VEN (d. 1600)

ca. 1530–50 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Allegory of Europe, from the Four Continents

Etienne Delaune (d. 1583)

1575 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Allegory of the Danger of Deceitful Love

Raphael Sadeler I (d. 1628)

1591 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Allegory of the Danger of Deceitful Love

Raphael Sadeler I (d. 1628)

1591 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Allegory of Love. Study for the Painting "Love and Friendship"

Georges Bellenger (d. 1918)

ca. 1870–90 · Lithograph; printed in blue, black and white inks

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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