
The New and the Old Dispensations
Unrecorded maker
1538 · Stained glass
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
646 ms. The Metropolitan Museum of Art, Collection API (Open Access)
365 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,398 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The New and the Old Dispensations
Unrecorded maker
1538 · Stained glass
Cleared · Public Domain
live
Allegory of the Redemption of the World
Paolo Veronese (Paolo Caliari) (d. 1588)
1528–88 · Pen and black ink, brush and gray wash, highlighted with white gouache, on gray washed paper
Cleared · Public Domain
live
Allegory of America
Nicolaes Berchem (d. 1683)
mid-17th–late 17th century · Black chalk, brush, black ink, gray wash; incised for transfer
Cleared · Public Domain
live
Allegory of America, from the Four Continents
Godfried Maes (d. 1700)
17th century · Pen and gray ink, brush and gray wash, over black chalk
Cleared · Public Domain
live
Allegory of the Old and New Dispensations
Carlo Maratti (d. 1713)
1700–8 · Pen and brown ink, over black and red chalk, highlighted with white gouache, on light brown paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old New York
John Lawrence Giles (d. 1882)
1868–82 · Pen and ink and wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Ways and New
Alice Cordelia Morse (d. 1961)
1892 · Beige cloth covered boards with brown and gold decoration
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Firemen Past and Present: "The Old and the New"
H. A. Thomas and Wylie Lithographic Company (d. 1899)
1895 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Firemen Past and Present: "The Old and the New"
H. A. Thomas and Wylie Lithographic Company (d. 1899)
1895 · Hand-colored lithograph; proof before letters
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old and New
Harold Knickerbocker Faye (d. 1980)
1935–43 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Allegory
Bob Thompson (d. 1966)
1960 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
the new and the old and the new
David Hockney (d. 2026)
1991 · Color lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.