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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    499 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    292 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 9,778 matching records exist across the two collections.

Results for "Allegory of the Redemption of the World"12 records

Institutions answered newest-first by record, interleaved

Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family by Master of the Dinteville Allegory, The Metropolitan Museum of Art

Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family

Master of the Dinteville Allegory (d. 1575)

1537 · Oil on wood

Cleared · Public Domain

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The MetSimilar
Allegory of the Redemption of the World by Paolo Veronese (Paolo Caliari), The Metropolitan Museum of Art

Allegory of the Redemption of the World

Paolo Veronese (Paolo Caliari) (d. 1588)

1528–88 · Pen and black ink, brush and gray wash, highlighted with white gouache, on gray washed paper

Cleared · Public Domain

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The MetSimilar
Allegory of Africa, from "The Four Continents" by Marcus Gheeraerts the Elder, The Metropolitan Museum of Art

Allegory of Africa, from "The Four Continents"

Marcus Gheeraerts the Elder (d. 1600)

ca. 1590–1600 · Engraving

Cleared · Public Domain

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The MetSimilar
Allegory of America, from "The Four Continents" by Marcus Gheeraerts the Elder, The Metropolitan Museum of Art

Allegory of America, from "The Four Continents"

Marcus Gheeraerts the Elder (d. 1600)

ca. 1590–1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Allegory of Asia, from "The Four Continents" by Marcus Gheeraerts the Elder, The Metropolitan Museum of Art

Allegory of Asia, from "The Four Continents"

Marcus Gheeraerts the Elder (d. 1600)

ca. 1590–1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Allegory of Europe, from "The Four Continents" by Marcus Gheeraerts the Elder, The Metropolitan Museum of Art

Allegory of Europe, from "The Four Continents"

Marcus Gheeraerts the Elder (d. 1600)

ca. 1590–1600 · Engraving

Cleared · Public Domain

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The MetSimilar
Allegory of America by Nicolaes Berchem, The Metropolitan Museum of Art

Allegory of America

Nicolaes Berchem (d. 1683)

mid-17th–late 17th century · Black chalk, brush, black ink, gray wash; incised for transfer

Cleared · Public Domain

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The MetSimilar
Allegory of America, from the Four Continents by Godfried Maes, The Metropolitan Museum of Art

Allegory of America, from the Four Continents

Godfried Maes (d. 1700)

17th century · Pen and gray ink, brush and gray wash, over black chalk

Cleared · Public Domain

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The MetSimilar
Allegory of the church by Johann Jakob Thurneysen, the Elder, The Metropolitan Museum of Art

Allegory of the church

Johann Jakob Thurneysen, the Elder (d. 1711)

1652–1711 · Etching and engraving

Cleared · Public Domain

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The MetSimilar
Allegory of the Arts by Jacob de Wit, The Metropolitan Museum of Art

Allegory of the Arts

Jacob de Wit (d. 1754)

1742 · Oil on canvas

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Moral Emblems: The Ingratitude of the World

Etienne Delaune (d. 1583)

1580 · Engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The redemption of the martinated souls by the sacrifice (allegory)

Stefano Mulinari (d. 1795)

ca. 1760 · Engraving

In copyright

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The MetSimilar

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