
St. Augustine and the Child on the Seashore
Andrea Pozzo (d. 1709)
1642–1709 · Black chalk washed with faint green
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
498 ms. The Metropolitan Museum of Art, Collection API (Open Access)
601 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

St. Augustine and the Child on the Seashore
Andrea Pozzo (d. 1709)
1642–1709 · Black chalk washed with faint green
Cleared · Public Domain
live
The Brine Maiden Matsukaze
Nishimura Shigenobu (d. 1739)
early 18th century · Hanging scroll; ink and color on paper
Cleared · Public Domain
live
Sailors on Horseback
Thomas Rowlandson (d. 1827)
March 16, 1811 · Hand-colored etching
Cleared · Public Domain
live
Along the Seashore at Futami
Utagawa Toyokuni I (d. 1825)
1825 · Middle sheet of a triptych of woodblock prints; ink and color on paper
Cleared · Public Domain
live
Normandy Sketchbook
Eugène Delacroix (d. 1863)
1829 · Graphite and watercolor, period binding
Cleared · Public Domain
live
Napoleon
E. Bernard (d. 1852)
1839–52 · Etching
Cleared · Public Domain
live
Oscar at the Sea-Shore (published in "Harper's Bazar," August 26, 1882)
Thomas Nast (d. 1902)
originally published 1882 · Relief print and electrotype
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Large Boston Public Garden Sketchbook: Mothers and children in the park
Maurice Brazil Prendergast (d. 1924)
1895–97 · Recto: watercolor over pencil, bordered in pencil and watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
After High Tide
Tsuji Kakō 都路華香 (d. 1931)
1917 · Pair of six-panel folding screens; ink, color, and gold and silver paint on silk
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.