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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    498 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    601 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Along the Seashore at Futami"9 records

Institutions answered newest-first by record, interleaved

St. Augustine and the Child on the Seashore by Andrea Pozzo, The Metropolitan Museum of Art

St. Augustine and the Child on the Seashore

Andrea Pozzo (d. 1709)

1642–1709 · Black chalk washed with faint green

Cleared · Public Domain

live
The MetSimilar
The Brine Maiden Matsukaze by Nishimura Shigenobu, The Metropolitan Museum of Art

The Brine Maiden Matsukaze

Nishimura Shigenobu (d. 1739)

early 18th century · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Sailors on Horseback by Thomas Rowlandson, The Metropolitan Museum of Art

Sailors on Horseback

Thomas Rowlandson (d. 1827)

March 16, 1811 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Along the Seashore at Futami by Utagawa Toyokuni I, The Metropolitan Museum of Art

Along the Seashore at Futami

Utagawa Toyokuni I (d. 1825)

1825 · Middle sheet of a triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Normandy Sketchbook by Eugène Delacroix, The Metropolitan Museum of Art

Normandy Sketchbook

Eugène Delacroix (d. 1863)

1829 · Graphite and watercolor, period binding

Cleared · Public Domain

live
The MetSimilar
Napoleon by E. Bernard, The Metropolitan Museum of Art

Napoleon

E. Bernard (d. 1852)

1839–52 · Etching

Cleared · Public Domain

live
The MetSimilar
Oscar at the Sea-Shore (published in "Harper's Bazar," August 26, 1882) by Thomas Nast, The Metropolitan Museum of Art

Oscar at the Sea-Shore (published in "Harper's Bazar," August 26, 1882)

Thomas Nast (d. 1902)

originally published 1882 · Relief print and electrotype

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Large Boston Public Garden Sketchbook: Mothers and children in the park

Maurice Brazil Prendergast (d. 1924)

1895–97 · Recto: watercolor over pencil, bordered in pencil and watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

After High Tide

Tsuji Kakō 都路華香 (d. 1931)

1917 · Pair of six-panel folding screens; ink, color, and gold and silver paint on silk

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.