Les Fleurs Animées, Title Page
J. J. Grandville (d. 1847)
1847 · Hand-colored wood engraving
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
373 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
298 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Results for "Alphonse Karr"12 records
Institutions answered newest-first by record, interleaved
Nenuphar, from "Les Fleurs Animées"
J. J. Grandville (d. 1847)
1847 · Wood engravings and lithographs, hand-colored
Cleared · Public Domain
liveThe MetSimilar
Perveche Desséchée, from "Les Fleurs Animées"
J. J. Grandville (d. 1847)
1847 · Wood engravings and lithographs, hand-colored
Cleared · Public Domain
liveThe MetSimilar
Thé & Café, from "Les Fleurs Animées"
J. J. Grandville (d. 1847)
1847 · Hand-colored wood engraving
Cleared · Public Domain
liveThe MetSimilar
Alphonse Karr
André-Adolphe-Eugène Disdéri (d. 1889)
1850s · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
Capucine, from "Les Fleurs Animées"
J. J. Grandville (d. 1847)
1820–70 · Wood engravings and lithographs, hand-colored
Cleared · Public Domain
liveThe MetSimilar
Portrait of Alphonse Karr
Marcellin Desboutin (d. 1902)
1878 · Drypoint; third state of three
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Soilitude [The Jardin of Alphones Karr and Monmartre, 1833], from L'Artiste
Paul Gavarni [Chevalier] (d. 1866)
ca. 1831 · Lithograph; second state of three (Armelhault & Bocher)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Flowers Personified
Nehemiah Cleaveland Esq. (d. 1877)
1847 · Illustrations: steel engravings, hand-colored
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Alphonse Karr
Nadar (d. 1910)
1855–60 · Albumen silver print from glass negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Alphonse Karr
Antoine-Samuel Adam-Salomon (d. 1881)
ca. 1865, printed 1876 · Woodburytype
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Nouveau Magasin des Enfants, vol. 4
Alexandre-Davy-de-la-Pailleterie Dumas (d. 1870)
n.d. · Wood engraving
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.