Altar Cloth
Unrecorded maker
c. 1350 · Embroidery, embroidery: linen
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
478 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 15 matching records exist across the two collections.
Results for "Altar Cloth"12 records
Institutions answered newest-first by record, interleaved
Christ Gathering Roses, Centerpiece of an Altar Cloth(?)
Unrecorded maker
early to mid-1400s · Embroidery, Linen: plain weave; silk: embroidery (split stitch)
Cleared · CC0
liveCleveland Museum of ArtSimilar
Altar Frontal with the Lamentation
Cosimo Tura (d. 1495)
c. 1474 · Tapestry, Wool, silk, gold and silver threads
Cleared · CC0
liveCleveland Museum of ArtSimilar
Relic of St. Marcian
Unrecorded maker
c. 1045 · Metalwork, Plain weave green silk with an extant selvage
Cleared · CC0
liveCleveland Museum of ArtSimilar
Relic of St. Gertrude
Unrecorded maker
c. 1045 · Metalwork, Plain weave variant rose colored silk with an extant selvage
Cleared · CC0
liveCleveland Museum of ArtSimilar
Embroidered Front of an Altar
Unrecorded maker
1600s–1700s · Embroidery, Satin and silk: embroidery
Cleared · CC0
liveCleveland Museum of ArtSimilar
Altar Cloth
Unrecorded maker
1800s · Embroidery, Plain weave cotton: needle lace (drawnwork), appliqué, and embroidery
Cleared · CC0
liveCleveland Museum of ArtSimilar
Reliquary bag with lions
Unrecorded maker
late 1100s-1300s · Textile, cloth d’areste, weft-faced lozenge twill variant: silk and gold thread
Cleared · CC0
liveCleveland Museum of ArtSimilar
St. Catherine of Siena and the Beggar
Giovanni di Paolo (d. 1482)
1460s · Painting, tempera and gold on wood
Cleared · CC0
liveCleveland Museum of ArtSimilar
Predella Panel from an Altarpiece: St. Catherine of Siena Invested with the Dominican Habit
Giovanni di Paolo (d. 1482)
1460s · Painting, tempera and gold on wood panel
Cleared · CC0
liveCleveland Museum of ArtSimilar
Burse (Corporal Case)
Unrecorded maker
1600s · Velvet, Silk velvet: cut and uncut, metal thread lace
Cleared · CC0
liveCleveland Museum of ArtSimilar
Chasuble
Unrecorded maker
c 1600–1700 · Velvet, Silk and gilt metal threads, woven; cut and uncut velvet
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.