
St. Louis in Glory
Simon Vouet (d. 1649)
ca. 1640–41 · Black chalk, heightened with white chalk, on beige paper; framing lines in pen and brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
749 ms. The Metropolitan Museum of Art, Collection API (Open Access)
511 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 79 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

St. Louis in Glory
Simon Vouet (d. 1649)
ca. 1640–41 · Black chalk, heightened with white chalk, on beige paper; framing lines in pen and brown ink
Cleared · Public Domain
live
The Girandola at the Castel Sant'Angelo, Rome
Louis Jean Desprez (d. 1804)
ca. 1781–1784 · Etching with hand-coloring
Cleared · Public Domain
live
Sampler
Susan Bushey (d. 1905)
1838 · Silk embroidery on linen
Cleared · Public Domain
live
Altar Flanked by St. Louis and St. Theresa
Emile-Charles Wattier (d. 1868)
mid-19th century · Watercolor
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Virgin and Child Flanked by St. John the Baptist and St. Francis
Andrea Andreani (d. 1629)
1585 · Chiaroscuro woodcut from four blocks in blue
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of Cooke's Tomb in St. Paul's Churchyard, New York
John Rubens Smith (d. 1849)
1821 · Aquatint with some engraving on off-white wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Alphonsus Church, New York, South Fifth Avenue near Canal
Francis G. Himpler (d. 1916)
1872 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Design of Altar Rail, Mrs. Judge Gould, St. Paul's Church, Troy, NY"
Louis C. Tiffany (d. 1933)
ca. 1895–98 · Transparent and opaque watercolor, ink, metallic paint, and graphite on paper mounted on paperboard with window mat
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Louis Evans, St. Louis Cardinals, National League, from the "Baseball Series" (Gold Borders) set (T205) issued by the American Tobacco Company
American Tobacco Company
1911 · Commercial color lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.