
Altar Front
Unrecorded maker
c. 540–600 · Sculpture, marble
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
380 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 23 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Altar Front
Unrecorded maker
c. 540–600 · Sculpture, marble
Cleared · CC0
live
Portable Altar of Countess Gertrude
Unrecorded maker
c. 1045 · Metalwork, gold, cloisonné enamel, porphyry, gems, pearls, niello, wood core
Cleared · CC0
live
Altar Frontal with the Lamentation
Cosimo Tura (d. 1495)
c. 1474 · Tapestry, Wool, silk, gold and silver threads
Cleared · CC0
live
The Resurrection, from an Altar Frontal
Unrecorded maker
1375–1400 · Embroidery, Silk, gold and cotton thread, linen; raised work, embroidery: split, stem, and couching stitches
Cleared · CC0
live
Embroidered Front of an Altar
Unrecorded maker
1600s–1700s · Embroidery, Satin and silk: embroidery
Cleared · CC0
live
Red-Figure Calyx-Krater (Mixing Vessel): Medea in Chariot (A); Telephos with Baby Orestes (B)
Policoro Painter
c. 400 BCE · Ceramic, ceramic
Cleared · CC0
live
Altar Frontal: Scenes from the Childhood of Christ
Unrecorded maker
c. 1500 · Tapestry, Wool, silk, gold thread; tapestry weave
Cleared · CC0
live
Scenes of the Life of the Virgin, from an Altar Frontal
Unrecorded maker
1330s or 1340s · Embroidery, Silk, gold thread, linen; raised work, embroidery: split, stem, running, fishbone, and couching stitches
Cleared · CC0
live
Altarpiece with Relics
Joseph Matthias Götz (d. 1760)
c. 1735–40 · Sculpture, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper
Cleared · CC0
live
Rumal with Vishnu temple and subsidiary shrines
Unrecorded maker
1700s · Embroidery, Silk and silver embroidery on cotton tabby ground
Cleared · CC0
live
Altarpiece with Relics - Lance, lower right
Joseph Matthias Götz (d. 1760)
c. 1735–1740 · Sculpture, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper
Cleared · CC0
live
Altarpiece with Relics - Putto, middle left
Joseph Matthias Götz (d. 1760)
c. 1735–1740 · Sculpture, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.