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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    535 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 13 matching records exist across the two collections.

Results for "Altar Frontal"12 records

Institutions answered newest-first by record, interleaved

Altar Frontal with the Lamentation by Cosimo Tura, The Cleveland Museum of Art

Altar Frontal with the Lamentation

Cosimo Tura (d. 1495)

c. 1474 · Tapestry, Wool, silk, gold and silver threads

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Resurrection, from an Altar Frontal by an unrecorded maker, The Cleveland Museum of Art

The Resurrection, from an Altar Frontal

Unrecorded maker

1375–1400 · Embroidery, Silk, gold and cotton thread, linen; raised work, embroidery: split, stem, and couching stitches

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Embroidered Tondo from an Altar Frontal: The Coronation of the Virgin by an unrecorded maker, The Cleveland Museum of Art

Embroidered Tondo from an Altar Frontal: The Coronation of the Virgin

Unrecorded maker

1459 · Embroidery, Embroidery with gold, silver, and silk thread; split, satin, and couching stitches, or nué (shaded gold)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Enamel Plaque from the Altar Frontal of Saint Martin at Orense (Spain) by an unrecorded maker, The Cleveland Museum of Art

Enamel Plaque from the Altar Frontal of Saint Martin at Orense (Spain)

Unrecorded maker

1174–1213 (probably before 1188) · Enamel, copper: engraved, stippled, gilded; champlevé enamel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Altar Frontal: Scenes from the Childhood of Christ by an unrecorded maker, The Cleveland Museum of Art

Altar Frontal: Scenes from the Childhood of Christ

Unrecorded maker

c. 1500 · Tapestry, Wool, silk, gold thread; tapestry weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Scenes of the Life of the Virgin, from an Altar Frontal by an unrecorded maker, The Cleveland Museum of Art

Scenes of the Life of the Virgin, from an Altar Frontal

Unrecorded maker

1330s or 1340s · Embroidery, Silk, gold thread, linen; raised work, embroidery: split, stem, running, fishbone, and couching stitches

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Embroidered Front of an Altar by an unrecorded maker, The Cleveland Museum of Art

Embroidered Front of an Altar

Unrecorded maker

1600s–1700s · Embroidery, Satin and silk: embroidery

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Altar Frontal by an unrecorded maker, The Cleveland Museum of Art

Altar Frontal

Unrecorded maker

1700s · Textile, Silk and metal: brocade

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Enthroned Virgin and Child by an unrecorded maker, The Cleveland Museum of Art

Enthroned Virgin and Child

Unrecorded maker

1225–50 · Sculpture, copper: repoussé, gilded, engraved, chased; black glass beads; light turquoise enameled pearls

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Altar Frontal by an unrecorded maker, The Cleveland Museum of Art

Altar Frontal

Unrecorded maker

1500s · Lace, Linen: needle lace (cutwork) and bobbin lace edging

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Altar Frontal by an unrecorded maker, The Cleveland Museum of Art

Altar Frontal

Unrecorded maker

1600s-1700s · Embroidery, embroidery: linen

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Textile Fragment with the Annunciation by an unrecorded maker, The Cleveland Museum of Art

Textile Fragment with the Annunciation

Unrecorded maker

1370–1400 · Textile, Silk with gold thread; lampas weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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