
Altar Frontal with the Lamentation
Cosimo Tura (d. 1495)
c. 1474 · Tapestry, Wool, silk, gold and silver threads
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
535 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Altar Frontal with the Lamentation
Cosimo Tura (d. 1495)
c. 1474 · Tapestry, Wool, silk, gold and silver threads
Cleared · CC0
live
The Resurrection, from an Altar Frontal
Unrecorded maker
1375–1400 · Embroidery, Silk, gold and cotton thread, linen; raised work, embroidery: split, stem, and couching stitches
Cleared · CC0
live
Embroidered Tondo from an Altar Frontal: The Coronation of the Virgin
Unrecorded maker
1459 · Embroidery, Embroidery with gold, silver, and silk thread; split, satin, and couching stitches, or nué (shaded gold)
Cleared · CC0
live
Enamel Plaque from the Altar Frontal of Saint Martin at Orense (Spain)
Unrecorded maker
1174–1213 (probably before 1188) · Enamel, copper: engraved, stippled, gilded; champlevé enamel
Cleared · CC0
live
Altar Frontal: Scenes from the Childhood of Christ
Unrecorded maker
c. 1500 · Tapestry, Wool, silk, gold thread; tapestry weave
Cleared · CC0
live
Scenes of the Life of the Virgin, from an Altar Frontal
Unrecorded maker
1330s or 1340s · Embroidery, Silk, gold thread, linen; raised work, embroidery: split, stem, running, fishbone, and couching stitches
Cleared · CC0
live
Embroidered Front of an Altar
Unrecorded maker
1600s–1700s · Embroidery, Satin and silk: embroidery
Cleared · CC0
live
Altar Frontal
Unrecorded maker
1700s · Textile, Silk and metal: brocade
Cleared · CC0
live
Enthroned Virgin and Child
Unrecorded maker
1225–50 · Sculpture, copper: repoussé, gilded, engraved, chased; black glass beads; light turquoise enameled pearls
Cleared · CC0
live
Altar Frontal
Unrecorded maker
1500s · Lace, Linen: needle lace (cutwork) and bobbin lace edging
Cleared · CC0
live
Altar Frontal
Unrecorded maker
1600s-1700s · Embroidery, embroidery: linen
Cleared · CC0
live
Textile Fragment with the Annunciation
Unrecorded maker
1370–1400 · Textile, Silk with gold thread; lampas weave
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.