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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    73 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    19 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 94 matching records exist across the two collections.

Results for "Altar Frontal with the Lamentation"12 records

Institutions answered newest-first by record, interleaved

Altar Frontal by an unrecorded maker, The Metropolitan Museum of Art

Altar Frontal

Unrecorded maker

ca. 1225 · Wood with gesso, canvas, and paint

Cleared · Public Domain

live
The MetSimilar
Altar Frontal with the Lamentation by Cosimo Tura, The Cleveland Museum of Art

Altar Frontal with the Lamentation

Cosimo Tura (d. 1495)

c. 1474 · Tapestry, Wool, silk, gold and silver threads

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plaque with the Descent from the Cross by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Descent from the Cross

Unrecorded maker

ca. 1320–40 · Elephant ivory, whale bone, traces of paint, and gilding

Cleared · Public Domain

live
The MetSimilar
Altar Frontal with Man of Sorrows and Saints by an unrecorded maker, The Metropolitan Museum of Art

Altar Frontal with Man of Sorrows and Saints

Unrecorded maker

ca. 1465 · Wool, linen, and metallic thread (gilt membrane on silk) on linen

Cleared · Public Domain

live
The MetSimilar
Altar Frontal with Deesis by an unrecorded maker, The Metropolitan Museum of Art

Altar Frontal with Deesis

Unrecorded maker

15th century · Silk and metal thread

Cleared · Public Domain

live
The MetSimilar
The Lamentation by an unrecorded maker, The Metropolitan Museum of Art

The Lamentation

Unrecorded maker

ca. 1490–1505 · Wool warp, wool, silk, and gilt wefts

Cleared · Public Domain

live
The MetSimilar
Pietà with Sorrowing Angels by Mattheus van Beveren, The Metropolitan Museum of Art

Pietà with Sorrowing Angels

Mattheus van Beveren (d. 1690)

17th century · Boxwood; base: wood, ebony, tortoiseshell and ivory or bone

Cleared · Public Domain

live
The MetSimilar
Court official from a commemorative altar by Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, The Metropolitan Museum of Art

Court official from a commemorative altar

Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists

16th–17th century · Brass, iron

Cleared · Public Domain

live
The MetSimilar
Design for an Altar, plate 1 from an Untitled Series of Designs for Altars by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for an Altar, plate 1 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for an Altar, plate 2 from an Untitled Series of Designs for Altars by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for an Altar, plate 2 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for an Altar, plate 3 from an Untitled Series of Designs for Altars by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for an Altar, plate 3 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for an Altar, plate 4 from an Untitled Series of Designs for Altars by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for an Altar, plate 4 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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